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Aitor Echeverría

Aitor Echeverría

Cinematographer and producer · Born January 1, 1977 (49) · Barcelona, Barcelona, Catalunya, Spain

He was born in Barcelona in 1977 and got his degree in cinematography by the ESCAC (Catalonia Cinema School). Since he finished his studies in 2000 he has focused his professional activities on cinematography, working in several productions such a documentaries, commercials, music videos, short films… In 2009 he shot “Fake Orgasm” by Jo Sol, which was released in Malaga Film Festival in 2010 and was awarded with the silver Biznaga as the best film under the category Free Zone (sharing credit with Bruno Amaral and Xavi Sibecas).

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Biography from TMDB.

Born
January 1, 1977 (49)
From
Barcelona, Barcelona, Catalunya, Spain
Works as
Cinematographer and producer
Titles
7 on MovieCove · 18 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Official site (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Down 27% in 30 days

What are Aitor Echeverría's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Themes

share of theme weight
Self
40%
Bonds
34%
Society
20%
Survival
7%
Community3 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this theme

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category
Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 3 · Stylized 0 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 0 · Charged 4 · Intense 0

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 3 · Shifting 1 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 3 · Some laughs 1 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 4 · Even-paced 0 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 0 · Engaged 4 · Full focus 0

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 2 · Open-ended 1 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Warm
4
Melancholic
4
Contemplative
3
Hopeful
1
Bittersweet
1
Other
1

How their films linger

Hopeful4 titles, browse their movies with this aftertasteThought-provoking2 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertaste

How their films end

  • Bittersweet3
  • Ambiguous1
  • Other1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Aitor Echeverría's films?

As of October 24, 2026, 5 of their 7 MovieCove titles stream on a subscription or free service, most on Netflix (2).

Also on these channels

Subscription and free streaming for Aitor Echeverría's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

18 credits, 7 with a MovieCove page.

  • Sobre las olas (not in the MovieCove catalog yet)(2026)

    Producer

  • Graduation Trip: Mallorca(2025)

    Second Unit Director of Photography

    Midcredits score: 4th percentile of all films

  • Unsavable (not in the MovieCove catalog yet)(2025)

    Cinematographer

  • Dismantling an Elephant (not in the MovieCove catalog yet)(2025)

    Director · Writer

  • Quico Sabaté: sense destí (not in the MovieCove catalog yet)(2023)

    Cinematographer

  • La voluntaria(2022)

    Cinematographer

    Midcredits score: 46th percentile of all films

  • Finlandia(2021)

    Producer

    Midcredits score: 69th percentile of all films

  • The Occupant(2020)

    "B" Camera Operator · Second Unit Director of Photography

    Midcredits score: 58th percentile of all films

  • Thy Kingdom Come (not in the MovieCove catalog yet)(2019)

    Associate Producer

  • Bad Faith (not in the MovieCove catalog yet)(2019)

    Cinematographer

  • Les de l'hoquei(2019)

    Show Cinematographer

    Midcredits score: 44th percentile of all shows

  • María (y los demás)(2016)

    Cinematographer

    Midcredits score: 66th percentile of all films

  • Grazing the Sky(2013)

    Producer

    Midcredits score: 68th percentile of all films

  • Fake Orgasm (not in the MovieCove catalog yet)(2010)

    Cinematographer

  • Dying Every Day (not in the MovieCove catalog yet)(2010)

    Director · Writer

  • Pablo (not in the MovieCove catalog yet)(2009)

    Cinematographer

  • Era que no era (not in the MovieCove catalog yet)(2001)

    Cinematographer

  • Sintra III (not in the MovieCove catalog yet)

    Director

Career shape

A full career of 15 titles, 14 of them dated from 2001 to 2026.

Biggest box office

La voluntaria (2022)

$118K worldwide

Highest rated

María (y los demás) (2016)

Midcredits 66th

Most popular right now

Les de l'hoquei (2019)

By role

only this rolewith another role
Directing3 of 15: 1 only directing, 2 with another roleWriting2 of 15: 0 only writing, 2 with another roleProducing2 of 15: 2 only producing, 0 with another roleCinematography10 of 15: 9 only cinematography, 1 with another roleOther crew1 of 15: 0 only other crew, 1 with another role

15 titles, 3 with more than one role.

By decade

2000s2 · crew2010s5 · crew2020s7 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Aitor Echeverría's films land?

Their typical MovieCove film has a Midcredits score in the 62nd percentile, the median of all 6; across a limited sample of 4 films with reception data, the typical film sits in the 58th percentile for acclaim.

Acclaim · how much people like their films

58thpercentile
Typical film, the median of 4

Approval · how many liked their films

71stpercentile
Typical film, the median of 4

Reach · how many have seen their films

34thpercentile
Typical film, the median of 4

Midcredits score across 7 titles, by percentile

  • 50th to 74th4
  • 25th to 49th2
  • Below 25th1

Shape of the crowd

4 of their 7 titles are Mixed.

  • Crowd Pleaser2
  • Broadly Agreed1
  • Mixed4

Most divisive · cinematographer

Graduation Trip: Mallorca (2025)

66th percentile spread · 65% rated it 4 or lower

Most loved · producer

Finlandia (2021)

Midcredits 69th · 70% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Aitor Echeverría work with?

People who share at least 2 of Aitor Echeverría's MovieCove titles, grouped by what they did on them; Nely Reguera shares the most, 2.

Directors

Writers

Actors

Cinematographers and editors

Producers