Pablo Valdés

What are Pablo Valdés' films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Society and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Pablo Valdés' films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service.

• MUBI1 title, browse their movies on this service
  • Los Reyes (2018) · cinematographer
• Paramount+1 title, browse their movies on this service
  • The Eternal Memory (2023) · cinematographer
• The Roku Channel1 title, browse their movies on this service
  • The Mole Agent (2020) · cinematographer · free
• Tubi1 title, browse their movies on this service
  • The Mole Agent (2020) · cinematographer · free

Subscription and free streaming for Pablo Valdés' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

• 

  The Eternal Memory(2023)

  Cinematographer

  Midcredits score: 94th percentile of all films94^th
• 

  The Mole Agent(2020)

  Cinematographer

  Midcredits score: 94th percentile of all films94^th
• 

  Los Reyes(2018)

  Cinematographer

  Midcredits score: 85th percentile of all films85^th
• 

  Chicago Boys(2015)

  Cinematographer

  Midcredits score: 91st percentile of all films91^st

Career shape

Across a limited sample of 4 MovieCove titles from 2015 to 2023.

Biggest box office

The Mole Agent (2020)

$402K worldwide

Highest rated

The Mole Agent (2020)

Midcredits 94^th

How do Pablo Valdés' films land?

Their typical MovieCove film has a Midcredits score in the 93^rd percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 90^th percentile for acclaim.

Shape of the crowd

None of their 4 titles divides audiences: 2 are Universally Loved.

22

• Universally Loved2
• Crowd Pleaser2

Most loved · cinematographer

The Mole Agent (2020)

Midcredits 94^th · 83% liked

Reviewers score the cinematography 75/100 in their films, across 3 reviewed titles; fans 76, detractors 55. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Pablo Valdés work with?

People who share at least 2 of Pablo Valdés' MovieCove titles, grouped by what they did on them; Maite Alberdi shares the most, 3.