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MovieCove

Red Chang

Producer and writer

Works as
Producer and writer
Titles
3 on MovieCove · 6 credits in all

What are Red Chang's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Power and Bonds.

Themes

share of theme weight
Power
33%
Bonds
23%
Survival
18%
Self
16%
Morality
10%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 1 · Dark 2

Grounded 2 · Stylized 1 · Heightened 0

Gentle 0 · Charged 0 · Intense 3

Steady 0 · Shifting 3 · Whiplash 0

Straight-faced 3 · Some laughs 0 · Funny 0

Slow burn 0 · Even-paced 3 · Relentless 0

Casual 1 · Engaged 2 · Full focus 0

Easy watch 0 · Affecting 1 · Heavy 2

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
3
Cold
2
Dread
1
Bittersweet
1
Melancholic
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Red Chang's films?

As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service, on Netflix (3).

Subscription and free streaming for Red Chang's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 3 with a MovieCove page.

  • Pa Pa Go (not in the MovieCove catalog yet)(2026)

    Executive Producer · Writer

  • Midcredits score: 26th percentile of all films
  • Gatao: Like Father Like Son(2024)

    Executive Producer · Writer

    Midcredits score: 35th percentile of all films
  • Gatao 2: Rise of the King(2018)

    Producer · Writer

    Midcredits score: 45th percentile of all films
  • Bad Girl (not in the MovieCove catalog yet)

    Executive Producer

  • Gatao 3 (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 5 titles, 3 of them dated from 2024 to 2026.

By role

only this rolewith another role
Writing3 of 5: 1 only writing, 2 with another roleProducing4 of 5: 2 only producing, 2 with another role

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Red Chang's films land?

Their typical MovieCove film has a Midcredits score in the 35th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 46th percentile for acclaim.

Acclaim · how much people like their films

46thpercentile
Typical film, the median of 3

Approval · how many liked their films

24thpercentile
Typical film, the median of 3

Reach · how many have seen their films

61stpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 25th to 49th3

Shape of the crowd

None of their 3 titles divides audiences: 2 are Mixed.

  • Broadly Agreed1
  • Mixed2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Red Chang work with?

People who share at least 2 of Red Chang's MovieCove titles, grouped by what they did on them; Hung-i Yao shares the most, 3.

Directors

Writers

Actors

Composers

Producers