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Tim Despic

Tim Despic

Composer · Born November 22, 1978 (47)

Born
November 22, 1978 (47)
Works as
Composer
Titles
11 on MovieCove · 15 credits in all
TMDB popularity, last 38 days to Oct 27Up 5% in 30 days

What are Tim Despic's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Survival and Bonds.

What they feel like to watch

their average across 10 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 3 · Serious 2 · Dark 5

Grounded 7 · Stylized 3 · Heightened 0

Gentle 1 · Charged 1 · Intense 8

Steady 1 · Shifting 6 · Whiplash 3

Straight-faced 7 · Some laughs 2 · Funny 1

Slow burn 1 · Even-paced 2 · Relentless 7

Casual 2 · Engaged 6 · Full focus 2

Resolved 9 · Open-ended 0 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
8
Thrilling
6
Dread
3
Joyful
2
Melancholic
2
Other
7

How their films end · 5 with a twist

  • Happy3
  • Bittersweet3
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Tim Despic's films?

As of October 24, 2026, 9 of their 11 MovieCove titles stream on a subscription or free service, most on Tubi (7).

Subscription and free streaming for Tim Despic's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

15 credits, 11 with a MovieCove page.

  • Fall 2: Deadpoint(2026)

    Composer

    Midcredits score: 19th percentile of all films
  • Aurora (not in the MovieCove catalog yet)(2026)

    Composer

  • Stinky Summer(2024)

    Composer

    Midcredits score: 12th percentile of all films (provisional, few ratings)
  • The Atomic Dream (not in the MovieCove catalog yet)(2022)

    Composer

  • Fall(2022)

    Composer · Music Producer

    Midcredits score: 57th percentile of all films
  • The Courier(2019)

    Composer

    Midcredits score: 21st percentile of all films
  • Final Score(2018)

    Composer

    Midcredits score: 33rd percentile of all films
  • Dead on Arrival(2017)

    Composer

    Midcredits score: 44th percentile of all films
  • Midcredits score: 44th percentile of all films
  • Precious Cargo(2016)

    Composer

    Midcredits score: 8th percentile of all films
  • Heist(2015)

    Composer

    Midcredits score: 44th percentile of all films
  • The Betty Driver Story (not in the MovieCove catalog yet)(2011)

    Composer

  • Helen(2009)

    Composer

    Midcredits score: 57th percentile of all films
  • Bye, Bye Harry (not in the MovieCove catalog yet)(2006)

    Composer

  • The Best Man(2005)

    Composer · Music Producer

    Midcredits score: 41st percentile of all films

Career shape

A full career of 14 titles from 2005 to 2026.

By role

only this rolewith another role
Music14 of 14: 14 only music, 0 with another role · typical Midcredits score43rd

By decade

2000s3 · crew2010s7 · crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Tim Despic's films land?

Their typical MovieCove film has a Midcredits score in the 41st percentile, the median of all 11; across their 10 films with reception data, the typical film sits in the 40th percentile for acclaim.

Acclaim · how much people like their films

40thpercentile
Typical film, the median of 10

Approval · how many liked their films

41stpercentile
Typical film, the median of 10

Reach · how many have seen their films

85thpercentile
Typical film, the median of 10

Midcredits score across 11 titles, by percentile

  • 50th to 74th2
  • 25th to 49th5
  • Below 25th4

Shape of the crowd

5 of their 11 titles are Mixed.

  • Divisive1
  • Cult Classic1
  • Crowd Pleaser2
  • Broadly Agreed2
  • Mixed5

Reviewers score the sound and music 53/100 in their films, across 7 reviewed titles; fans 63, detractors 33. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Tim Despic's work okay for kids?

Across up to 7 MovieCove titles with content scores, violence & gore and profanity run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore5 titles69–93 · median 86 · severeheavier than most filmsMedian of all films: 44
Sex & Nudity7 titles15–71 · median 36 · moderatenear the median of all filmsMedian of all films: 32
Profanity6 titles62–89 · median 73 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs3 titlesmedian 36 · moderateMedian of all films: 33
Frightening / Intense3 titlesmedian 67 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Tim Despic work with?

People who share at least 2 of Tim Despic's MovieCove titles, grouped by what they did on them; James Edward Barker shares the most, 8.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers