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Jonathan Mariande

Cinematographer and producer

Works as
Cinematographer and producer
Titles
7 on MovieCove

What are Jonathan Mariande's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Ideas and Power.

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 3 · Serious 2 · Dark 2

Grounded 6 · Stylized 1 · Heightened 0

Gentle 3 · Charged 3 · Intense 1

Steady 5 · Shifting 2 · Whiplash 0

Straight-faced 5 · Some laughs 2 · Funny 0

Slow burn 3 · Even-paced 3 · Relentless 1

Casual 1 · Engaged 5 · Full focus 1

Resolved 3 · Open-ended 3 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Absurd
2
Thrilling
2
Bittersweet
3
Dread
2
Other
3

How their films end · 2 with a twist

  • Bittersweet3
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jonathan Mariande's films?

As of October 24, 2026, 6 of their 7 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Jonathan Mariande's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 7 with a MovieCove page.

  • The Rideshare Killer(2022)

    Cinematographer

    Midcredits score: 4th percentile of all films
  • The Black Emperor of Broadway(2020)

    Cinematographer

    Midcredits score: 44th percentile of all films
  • A World Away(2019)

    Cinematographer · Producer

    Midcredits score: 40th percentile of all films
  • Murder on the Cape(2017)

    Cinematographer

    Midcredits score: 2nd percentile of all films
  • Decommissioned(2016)

    Cinematographer

    Midcredits score: 3rd percentile of all films
  • Checkmate(2015)

    Cinematographer

    Midcredits score: 2nd percentile of all films
  • Democracy at Work(2012)

    Producer

    Midcredits score: 62nd percentile of all films (provisional, few ratings)

Career shape

Across their 7 MovieCove titles from 2012 to 2022.

By role

only this rolewith another role
Producing2 of 7: 1 only producing, 1 with another roleCinematography6 of 7: 5 only cinematography, 1 with another role · typical Midcredits score4th

By decade

2010s5 · crew2020s2 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Jonathan Mariande's films land?

Their typical MovieCove film has a Midcredits score in the 4th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 5th percentile for acclaim.

Acclaim · how much people like their films

5thpercentile
Typical film, the median of 7

Approval · how many liked their films

7thpercentile
Typical film, the median of 7

Reach · how many have seen their films

39thpercentile
Typical film, the median of 7

Midcredits score across 7 titles, by percentile

  • 50th to 74th1
  • 25th to 49th2
  • Below 25th4

Reviewers score the cinematography 32/100 in their films, across 5 reviewed titles; fans 60, detractors 25. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Jonathan Mariande work with?

People who share at least 2 of Jonathan Mariande's MovieCove titles, grouped by what they did on them; Arthur Egeli shares the most, 2.

Directors

Writers

Actors

Composers and editors

Producers