Satoshi Shimomoto

What are Satoshi Shimomoto's films like?

Across a limited sample of 3 Motif titles with a thematic analysis, their films lean Self and Power.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Satoshi Shimomoto's films?

As of October 24, 2026, all 3 Motif titles stream on a subscription or free service.

• AMC+1 title, browse their movies on this service
  • Re-Wind (1988) · cinematographer
• Shudder1 title, browse their movies on this service
  • Re-Wind (1988) · cinematographer
• The Criterion Channel1 title, browse their movies on this service
  • Re-Wind (1988) · cinematographer

Subscription and free streaming for Satoshi Shimomoto's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

3 credits, 3 with a Motif page.

• 

  DV: Domestic Violence(2005)

  Cinematographer

  Midcredits score: 51st percentile of all films (provisional, few ratings)~51^st
• 

  Ikusa(2005)

  Cinematographer
• 

  Re-Wind(1988)

  Cinematographer

  Midcredits score: 42nd percentile of all films42^nd

Career shape

Across a limited sample of 3 Motif titles from 1988 to 2005.

Highest rated

Re-Wind (1988)

Midcredits 42^nd

How do Satoshi Shimomoto's films land?

Their typical Motif film has a Midcredits score in the 47^th percentile, the median of the 2 of 3 with a score; across a limited sample of 3 films with reception data, the typical film sits in the 51^st percentile for acclaim.

Shape of the crowd

2 of their 2 titles are Mixed.

2

• Mixed2

Most divisive · cinematographer

DV: Domestic Violence (2005)

50^th percentile spread · 28% rated it 4 or lower

Most loved · cinematographer

Re-Wind (1988)

Midcredits 42^nd · 38% liked

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Satoshi Shimomoto work with?

People who share at least 2 of Satoshi Shimomoto's Motif titles, grouped by what they did on them; Yûji Nagamori shares the most, 2.