- Detroit, Michigan, USA
- Actor, also producer
- 3 on MovieCove
What are John Schmidt's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Power and Self.
Themes
What they feel like to watch
A split, not a type: Ironic 1 · Wry 0 · Earnest 1
Light 2 · Serious 1 · Dark 0
Grounded 1 · Stylized 1 · Heightened 1
Gentle 2 · Charged 1 · Intense 0
Steady 1 · Shifting 2 · Whiplash 0
Straight-faced 0 · Some laughs 1 · Funny 2
Slow burn 0 · Even-paced 3 · Relentless 0
Casual 2 · Engaged 1 · Full focus 0
Easy watch 2 · Affecting 1 · Heavy 0
Resolved 2 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch John Schmidt's films?
As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for John Schmidt's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page.
Ovid and the Art of Love(2019)
Midcredits score: 47th percentile of all films
Midcredits score: 39th percentile of all films
Tim Allen: Men Are Pigs(1990)
Midcredits score: 47th percentile of all films
Career shape
A full career of 1 title in 1990.
How do John Schmidt's films land?
Their typical MovieCove film has a Midcredits score in the 47th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 48th percentile for acclaim.
- 25th to 49th3
Shape of the crowd
2 of their 3 titles are Mixed.
- Divisive1
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does John Schmidt work with?
People who share at least 2 of John Schmidt's MovieCove titles, grouped by what they did on them; Ellen Brown shares the most, 2.
Directors
- Ellen BrownShared titles: Tim Allen Rewires America (1991), Tim Allen: Men Are Pigs (1990)See all 2 shared titles with Ellen Brown
Writers
- Tim AllenShared titles: Tim Allen Rewires America (1991), Tim Allen: Men Are Pigs (1990)See all 2 shared titles with Tim Allen
Producers
- Richard BakerShared titles: Tim Allen Rewires America (1991), Tim Allen: Men Are Pigs (1990)See all 2 shared titles with Richard Baker
- Rick MessinaShared titles: Tim Allen Rewires America (1991), Tim Allen: Men Are Pigs (1990)See all 2 shared titles with Rick Messina
