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Carlos F. Rossini

Cinematographer, producer, editor, director and writer

Works as
Cinematographer, producer, editor, director and writer
Titles
5 on MovieCove · 20 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Up 14% in 30 days

What are Carlos F. Rossini's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Power and Bonds.

Themes

share of theme weight
Power
28%
Bonds
17%
Self
17%
Survival
17%
Morality
8%
Society
8%
Ideas
5%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 1 · Serious 1 · Dark 2

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 3 · Stylized 1 · Heightened 0

Gentle: How hard the emotional peaks hit while you watch. Browse their gentle movies.
Feel · Intensity
gentleintense

Gentle 3 · Charged 0 · Intense 1

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 3 · Shifting 1 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 3 · Some laughs 0 · Funny 1

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 3 · Even-paced 1 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 2 · Engaged 1 · Full focus 1

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 3 · Affecting 0 · Heavy 1

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 1 · Open-ended 1 · Ambiguous 2

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Contemplative
3
Tense
2
Melancholic
2
Warm
1
Joyful
1
Other
1

How their films linger

Thought-provoking2 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertasteHaunting2 titles, browse their movies with this aftertaste

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Carlos F. Rossini's films?

As of October 24, 2026, 2 of their 5 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Carlos F. Rossini's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

20 credits, 5 with a MovieCove page.

  • Love Is the Monster (not in the MovieCove catalog yet)(2026)

    Co-Producer

  • Noviembre(2025)

    Cinematographer

    Midcredits score: 58th percentile of all films

  • Ciudad (not in the MovieCove catalog yet)(2020)

    Director · Cinematographer · Producer · Writer

  • Vivos (not in the MovieCove catalog yet)(2020)

    Unit Production Manager

  • The Chambermaid(2018)

    Cinematographer · Executive Producer

    Midcredits score: 77th percentile of all films

  • Yesterday Wonder I Was (not in the MovieCove catalog yet)(2017)

    Co-Producer

  • Guerrero (not in the MovieCove catalog yet)(2017)

    Cinematographer · Producer

  • The Cloud Forest (not in the MovieCove catalog yet)(2017)

    Cinematographer

  • Alice Beyond the Abyss (not in the MovieCove catalog yet)(2016)

    Associate Producer

  • Open Cage (not in the MovieCove catalog yet)(2014)

    Associate Producer

  • Rosario (not in the MovieCove catalog yet)(2013)

    Cinematographer

  • El Alcalde(2012)

    Director · Cinematographer · Producer · Writer

    Midcredits score: 78th percentile of all films

  • Magic Words (to Break a Spell) (not in the MovieCove catalog yet)(2012)

    Cinematographer

  • The Tiniest Place (not in the MovieCove catalog yet)(2011)

    Thanks

  • Malaventura(2011)

    Producer

    Midcredits score: 44th percentile of all films

  • ¡Viva Mexico! (not in the MovieCove catalog yet)(2010)

    Colorist

  • El Ciruelo (not in the MovieCove catalog yet)(2008)

    Director · Writer

  • El viaje de la nonna(2007)

    Editor

    Midcredits score: 46th percentile of all films

  • Sobreviviente (not in the MovieCove catalog yet)(2003)

    Assistant Camera

  • Bajo el Tacaná (not in the MovieCove catalog yet)

    Cinematographer

Career shape

A full career of 18 titles, 17 of them dated from 2003 to 2026.

Biggest box office

El viaje de la nonna (2007)

$281K worldwide

Highest rated

The Chambermaid (2018)

Midcredits 77th

Most popular right now

El Alcalde (2012)

By role

only this rolewith another role
Directing3 of 18: 0 only directing, 3 with another roleWriting2 of 18: 0 only writing, 2 with another roleProducing8 of 18: 4 only producing, 4 with another roleCinematography9 of 18: 5 only cinematography, 4 with another roleOther crew4 of 18: 4 only other crew, 0 with another role

18 titles, 5 with more than one role — cinematography and producing overlap on 4 of them.

By decade

2000s2 · crew2010s11 · crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Carlos F. Rossini's films land?

Their typical MovieCove film has a Midcredits score in the 58th percentile, the median of all 5; across a limited sample of 4 films with reception data, the typical film sits in the 56th percentile for acclaim.

Acclaim · how much people like their films

56thpercentile
Typical film, the median of 4

Approval · how many liked their films

66thpercentile
Typical film, the median of 4

Reach · how many have seen their films

43rdpercentile
Typical film, the median of 4

Midcredits score across 5 titles, by percentile

  • 75th and up2
  • 50th to 74th1
  • 25th to 49th2

Shape of the crowd

2 of their 5 titles are Crowd Pleasers.

  • Divisive1
  • Cult Classic1
  • Crowd Pleaser2
  • Mixed1

Most divisive · cinematographer

Noviembre (2025)

99th percentile spread · 42% rated it 4 or lower

Most loved · director, writer, producer, cinematographer

El Alcalde (2012)

Midcredits 78th · 68% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Carlos F. Rossini work with?

People who share at least 2 of Carlos F. Rossini's MovieCove titles; Emiliano Altuna shares the most, 3.