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Karin C. Berger

Karin C. Berger

Producer

Works as
Producer
Titles
6 on MovieCove · 10 credits in all
TMDB popularity, last 38 days to Oct 27Down 20% in 30 days

What are Karin C. Berger's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Society and Survival.

Themes

share of theme weight
Society
38%
Survival
19%
Ideas
18%
Bonds
11%
Power
8%
Self
6%

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 4 · Stylized 1 · Heightened 0

Gentle 1 · Charged 4 · Intense 0

A split, not a type: Steady 4 · Shifting 0 · Whiplash 1

Straight-faced 4 · Some laughs 1 · Funny 0

Slow burn 3 · Even-paced 2 · Relentless 0

Casual 1 · Engaged 4 · Full focus 0

Resolved 1 · Open-ended 3 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Contemplative
4
Melancholic
2
Tense
2
Hopeful
2
Absurd
1
Other
3

How their films end

  • Ambiguous5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Karin C. Berger's films?

As of October 24, 2026, 4 of their 6 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Subscription and free streaming for Karin C. Berger's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 6 with a MovieCove page.

  • Solo(2019)

    Producer

    Midcredits score: 68th percentile of all films (provisional, few ratings)
  • Born in Evin(2019)

    Co-Producer · Line Producer

    Midcredits score: 76th percentile of all films
  • TrustWho(2016)

    Co-Producer

    Midcredits score: 77th percentile of all films
  • Cops (not in the MovieCove catalog yet)(2018)

    Producer

  • The Migrumpies(2017)

    Producer

    Midcredits score: 56th percentile of all films
  • Midcredits score: 86th percentile of all films
  • Korida(2016)

    Producer

    Midcredits score: 96th percentile of all films (provisional, few ratings)
  • One of Us (not in the MovieCove catalog yet)(2015)

    Producer

  • I Want My Life (not in the MovieCove catalog yet)(2007)

    Producer

  • Micromeo (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 9 titles, 8 of them dated from 2007 to 2019.

By role

only this rolewith another role
Producing9 of 9: 9 only producing, 0 with another role · typical Midcredits score76th

By decade

2000s1 · crew2010s7 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Karin C. Berger's films land?

Their typical MovieCove film has a Midcredits score in the 77th percentile, the median of all 6; across their 5 films with reception data, the typical film sits in the 78th percentile for acclaim.

Acclaim · how much people like their films

78thpercentile
Typical film, the median of 5

Approval · how many liked their films

72ndpercentile
Typical film, the median of 5

Reach · how many have seen their films

30thpercentile
Typical film, the median of 5

Midcredits score across 6 titles, by percentile

  • 75th and up4
  • 50th to 74th2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Karin C. Berger work with?

People who share at least 2 of Karin C. Berger's MovieCove titles, grouped by what they did on them; Arash T. Riahi shares the most, 5.

Composers and editors

Producers