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David Marks

Editor

Works as
Editor
Titles
11 on MovieCove · 14 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 157 days to Oct 28Down 17% in 30 days

What are David Marks' films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Survival and Self.

Themes

share of theme weight
Survival
22%
Self
21%
Morality
18%
Bonds
15%
Society
11%
Ideas
7%
Power
6%

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category
Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 2 · Stylized 3 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 0 · Charged 3 · Intense 3

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 2 · Shifting 3 · Whiplash 1

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 4 · Some laughs 1 · Funny 1

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 2 · Even-paced 4 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 3 · Engaged 2 · Full focus 1

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 3 · Open-ended 1 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
3
Melancholic
3
Dread
2
Hopeful
3
Bittersweet
2
Other
4

How their films linger

Bittersweet4 titles, browse their movies with this aftertasteUnsettling3 titles, browse their movies with this aftertasteThought-provoking2 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Bittersweet5
  • Tragic1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch David Marks' films?

As of October 24, 2026, 9 of their 11 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for David Marks' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 11 with a MovieCove page.

  • Rock Springs(2026)

    Editor

    Midcredits score: 33rd percentile of all films

  • Y2K(2024)

    Editor

    Midcredits score: 8th percentile of all films

  • Jude (not in the MovieCove catalog yet)(2023)

    Editor

  • Hellraiser(2022)

    Editor

    Midcredits score: 41st percentile of all films

  • Windfall(2022)

    Editor

    Midcredits score: 25th percentile of all films

  • The Night House(2020)

    Editor

    Midcredits score: 59th percentile of all films

  • Electromagnetic (not in the MovieCove catalog yet)(2020)

    Editor · Producer

  • The Last Black Man in San Francisco(2019)

    Editor

    Midcredits score: 90th percentile of all films

  • Beautiful Boy(2018)

    Additional Editing

    Midcredits score: 95th percentile of all films

  • Don't Worry, He Won't Get Far on Foot(2018)

    Editor

    Midcredits score: 77th percentile of all films

  • The Sea of Trees(2015)

    Visual Effects Editor

    Midcredits score: 43rd percentile of all films

  • Fifty Shades of Grey(2015)

    First Assistant Editor

    Midcredits score: 12th percentile of all films

  • How Do You Know(2010)

    First Assistant Editor

    Midcredits score: 16th percentile of all films

  • The Bleeding (not in the MovieCove catalog yet)(2009)

    First Assistant Editor

Career shape

A full career of 14 titles from 2009 to 2026.

Biggest box office

The Night House (2020)

$15M worldwide

Highest rated

The Last Black Man in San Francisco (2019)

Midcredits 90th

Most popular right now

Hellraiser (2022)

By role

only this rolewith another role
Producing1 of 14: 0 only producing, 1 with another roleEditing9 of 14: 8 only editing, 1 with another role · typical Midcredits score41stOther crew5 of 14: 5 only other crew, 0 with another role

By decade

2000s1 · crew2010s6 · crew2020s7 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do David Marks' films land?

Their typical MovieCove film has a Midcredits score in the 41st percentile, the median of all 11; across their 6 films with reception data, the typical film sits in the 53rd percentile for acclaim.

Acclaim · how much people like their films

53rdpercentile
Typical film, the median of 6

Approval · how many liked their films

47thpercentile
Typical film, the median of 6

Reach · how many have seen their films

96thpercentile
Typical film, the median of 6

Midcredits score across 11 titles, by percentile

  • 75th and up3
  • 50th to 74th1
  • 25th to 49th4
  • Below 25th3

Shape of the crowd

4 of their 11 titles are Crowd Pleasers.

  • Universally Loved1
  • Universally Panned1
  • Crowd Pleaser4
  • Broadly Agreed2
  • Mixed3

Most divisive · editor

Rock Springs (2026)

66th percentile spread · 26% rated it 4 or lower

Most loved · editor

The Last Black Man in San Francisco (2019)

Midcredits 90th · 75% liked

Reviewers score the pacing 36/100 in their films, across 6 reviewed titles; fans 48, detractors 22. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is David Marks' work okay for kids?

Across up to 6 MovieCove titles with content scores, sex & nudity, profanity, alcohol & drugs and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore6 titles28–84 · median 50 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity6 titles18–62 · median 53 · moderateheavier than most filmsMedian of all films: 32
Profanity6 titles68–81 · median 77 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs6 titles24–70 · median 59 · moderateheavier than most filmsMedian of all films: 33
Frightening / Intense6 titles35–83 · median 58 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does David Marks work with?

People who share at least 2 of David Marks' MovieCove titles, grouped by what they did on them; David Bruckner shares the most, 2.

Directors

Writers

Composers

Producers

Mixed roles