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Yim Pil-sung

Yim Pil-sung

Director, writer and actor · Born May 13, 1972 (54) · Seoul, South Korea

Yim Pil-sung (born May 13, 1972) is a South Korean film director and screenwriter. He wrote and directed Antarctic Journal (2005), Hansel and Gretel (2007), and Scarlet Innocence (2014). Yim Pil-sung began directing short films in 1997, with Souvenir as his first. Brushing (1998), about an overweight teenage boy who is left home alone with his senile grandfather, was invited to the Clermont-Ferrand International Short Film Festival. Baby (1999) screened at the Venice Film Festival and Karlovy Vary International Film Festival. Mobile (starring Park Hae-il, Yoon Jin-seo, and Yoon Je-moon) was included in the 2003 omnibus Show Me.

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Biography from TMDB.

Born
May 13, 1972 (54)
From
Seoul, South Korea
Works as
Director, writer and actor
Titles
9 on MovieCove · 22 credits in all

What are Yim Pil-sung's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
24%
Bonds
20%
Survival
18%
Self
17%
Power
8%
Ideas
8%
Society
5%

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 1 · Serious 2 · Dark 3

Grounded 0 · Stylized 4 · Heightened 2

Gentle 0 · Charged 3 · Intense 3

Steady 0 · Shifting 4 · Whiplash 2

Straight-faced 2 · Some laughs 3 · Funny 1

Slow burn 2 · Even-paced 4 · Relentless 0

Casual 2 · Engaged 3 · Full focus 1

A split, not a type: Resolved 3 · Open-ended 2 · Ambiguous 1

Roles they play

1 analyzed role

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Absurd
4
Contemplative
3
Melancholic
3
Bittersweet
3
Other
4

How their films end · 2 with a twist

  • Happy2
  • Bittersweet2
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Yim Pil-sung's films?

As of October 24, 2026, 8 of their 9 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Yim Pil-sung's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

22 credits, 9 with a MovieCove page; 3 appearances as themselves are hidden until asked for.

  • Mad Concrete Dreams (not in the MovieCove catalog yet)(2026)

    Show 12 episodes · Director

  • Dark Nuns(2025)

    Original Story

    Midcredits score: 30th percentile of all films
  • Dear Jinri (not in the MovieCove catalog yet)(2023)

    Executive Producer

  • NCT 127: The Lost Boys (not in the MovieCove catalog yet)(2023)

    Show 4 episodes · Executive Producer

  • Catacomb (not in the MovieCove catalog yet)(2020)

    Director

  • Departure, Sun (not in the MovieCove catalog yet)(2020)

    Director

  • Midcredits score: 34th percentile of all films
  • Persona(2019)

    Show 1 episode · Director · Writer

    Midcredits score: 26th percentile of all shows
  • The Nest (not in the MovieCove catalog yet)(2017)

    Director · Writer

  • Three Summer Nights(2015)

    Original Story

    Midcredits score: 25th percentile of all films (provisional, few ratings)
  • Scarlet Innocence(2014)

    Director · Adaptation

    Midcredits score: 37th percentile of all films
  • Playboy Bong(2013)

    as Director Yim Pil-Sung

    Midcredits score: 66th percentile of all films
  • Doomsday Book(2012)

    Director · Screenplay

    Midcredits score: 38th percentile of all films
  • A Brave New World (not in the MovieCove catalog yet)(2012)

    Director · Writer

  • Happy Birthday (not in the MovieCove catalog yet)(2012)

    Director · Writer

  • Hansel and Gretel(2007)

    Director · Screenplay

    Midcredits score: 69th percentile of all films
  • The Host(2006)

    as Fat Guevara

    Midcredits score: 86th percentile of all films
  • Sunday Seoul (not in the MovieCove catalog yet)(2006)

    Writer

  • Antarctic Journal (not in the MovieCove catalog yet)(2005)

    Director · Writer

  • Baby (not in the MovieCove catalog yet)(2000)

    Director

  • Brushing (not in the MovieCove catalog yet)(1998)

    Director

  • The Tomb of Fog (not in the MovieCove catalog yet)

    Director

Career shape

A full career of 21 titles, 20 of them dated from 1998 to 2026.

Film career

By role

only this rolewith another role
Acting2 of 21: 2 only acting, 0 with another roleDirecting14 of 21: 6 only directing, 8 with another roleWriting11 of 21: 3 only writing, 8 with another role · typical Midcredits score34thProducing2 of 21: 2 only producing, 0 with another role

21 titles, 8 with more than one role — directing and writing overlap on 8 of them.

By decade

1990s1 · crew2000s5 · 1 acting · 4 crew2010s8 · 1 acting · 7 crew2020s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Yim Pil-sung's films land?

Their typical MovieCove film has a Midcredits score in the 38th percentile, the median of all 8; across their 6 films with reception data, the typical film sits in the 53rd percentile for acclaim.

Acclaim · how much people like their films

53rdpercentile
Typical film, the median of 6

Approval · how many liked their films

51stpercentile
Typical film, the median of 6

Reach · how many have seen their films

78thpercentile
Typical film, the median of 6

Midcredits score across 9 titles, by percentile

  • 75th and up1
  • 50th to 74th2
  • 25th to 49th6

Reviewers score the atmosphere 76/100 and the pacing 45/100 in their films, across 5 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Yim Pil-sung's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 23 · mildMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Yim Pil-sung work with?

People who share at least 2 of Yim Pil-sung's MovieCove titles, grouped by what they did on them; Bae Doona shares the most, 3.

Actors

Composers, cinematographers and editors

Producers

Mixed roles