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MovieCove

Scott Prisand

Producer

Works as
Producer
Titles
13 on MovieCove · 14 credits in all
TMDB popularity, last 156 days to Oct 27Down 28% in 30 days

What are Scott Prisand's films like?

Across their 12 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 12 films
ToneFeelDemandtheir average · filled zone: the category

Light 8 · Serious 1 · Dark 3

A split, not a type: Grounded 7 · Stylized 4 · Heightened 1

Gentle 3 · Charged 5 · Intense 4

Steady 1 · Shifting 8 · Whiplash 2

A split, not a type: Straight-faced 4 · Some laughs 3 · Funny 5

Slow burn 2 · Even-paced 10 · Relentless 0

Casual 9 · Engaged 2 · Full focus 1

Resolved 9 · Open-ended 3 · Ambiguous 0

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Scott Prisand's films?

As of October 24, 2026, 11 of their 13 MovieCove titles stream on a subscription or free service, most on Tubi (7).

Subscription and free streaming for Scott Prisand's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 13 with a MovieCove page.

  • Midcredits score: 3rd percentile of all films
  • 7 Days to Vegas(2019)

    Executive Producer

    Midcredits score: 36th percentile of all films
  • F*&% the Prom(2017)

    Producer

    Midcredits score: 8th percentile of all films
  • Can't Take It Back(2017)

    Producer

    Midcredits score: 3rd percentile of all films
  • Tell Me How I Die(2016)

    Producer

    Midcredits score: 13th percentile of all films
  • Rock of Ages(2012)

    Producer

    Midcredits score: 45th percentile of all films
  • Jewtopia(2012)

    Producer

    Midcredits score: 7th percentile of all films
  • Jiro Dreams of Sushi(2011)

    Co-Executive Producer

    Midcredits score: 98th percentile of all films
  • Beware the Gonzo(2010)

    Executive Producer

    Midcredits score: 45th percentile of all films
  • Midcredits score: 33rd percentile of all films
  • Barry Munday(2010)

    Executive Producer

    Midcredits score: 30th percentile of all films
  • Hesher(2010)

    Producer

    Midcredits score: 76th percentile of all films
  • Midcredits score: 24th percentile of all films
  • Lonely Street (not in the MovieCove catalog yet)(2009)

    Executive Producer

Career shape

A full career of 11 titles from 2009 to 2024.

By role

only this rolewith another role
Producing11 of 11: 11 only producing, 0 with another role · typical Midcredits score35th

By decade

2000s1 · crew2010s9 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Scott Prisand's films land?

Their typical MovieCove film has a Midcredits score in the 30th percentile, the median of all 13; across their 12 films with reception data, the typical film sits in the 24th percentile for acclaim.

Acclaim · how much people like their films

24thpercentile
Typical film, the median of 12

Approval · how many liked their films

33rdpercentile
Typical film, the median of 12

Reach · how many have seen their films

73rdpercentile
Typical film, the median of 12

Midcredits score across 13 titles, by percentile

  • 75th and up2
  • 25th to 49th5
  • Below 25th6

Shape of the crowd

7 of their 13 titles are Mixed.

  • Universally Loved1
  • Universally Panned1
  • Divisive1
  • Crowd Pleaser2
  • Broadly Agreed1
  • Mixed7

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Scott Prisand's work okay for kids?

Across up to 5 MovieCove titles with content scores, sex & nudity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Sex & Nudity5 titles27–58 · median 44 · moderateheavier than most filmsMedian of all films: 32
Profanity3 titlesmedian 52 · moderateMedian of all films: 36

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Scott Prisand work with?

People who share at least 2 of Scott Prisand's MovieCove titles, grouped by what they did on them; Matt Weaver shares the most, 7.

Writers

Composers and cinematographers

Producers