Scott Prisand
- Producer
- 13 on MovieCove · 14 credits in all
What are Scott Prisand's films like?
Across their 12 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 1 · Earnest 10
Light 8 · Serious 1 · Dark 3
A split, not a type: Grounded 7 · Stylized 4 · Heightened 1
Gentle 3 · Charged 5 · Intense 4
Steady 1 · Shifting 8 · Whiplash 2
A split, not a type: Straight-faced 4 · Some laughs 3 · Funny 5
Slow burn 2 · Even-paced 10 · Relentless 0
Casual 9 · Engaged 2 · Full focus 1
Easy watch 8 · Affecting 3 · Heavy 1
Resolved 9 · Open-ended 3 · Ambiguous 0
Moods and endings
- Happy4
- Bittersweet6
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Scott Prisand's films?
As of October 24, 2026, 11 of their 13 MovieCove titles stream on a subscription or free service, most on Tubi (7).
Subscription and free streaming for Scott Prisand's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
14 credits, 13 with a MovieCove page.
Midcredits score: 3rd percentile of all films
7 Days to Vegas(2019)
Midcredits score: 36th percentile of all films
F*&% the Prom(2017)
Midcredits score: 8th percentile of all films
Can't Take It Back(2017)
Midcredits score: 3rd percentile of all films
Tell Me How I Die(2016)
Midcredits score: 13th percentile of all films
Rock of Ages(2012)
Midcredits score: 45th percentile of all films
Jewtopia(2012)
Midcredits score: 7th percentile of all films
Jiro Dreams of Sushi(2011)
Midcredits score: 98th percentile of all films
Beware the Gonzo(2010)
Midcredits score: 45th percentile of all films
Sympathy for Delicious(2010)
Midcredits score: 33rd percentile of all films
Barry Munday(2010)
Midcredits score: 30th percentile of all films
Hesher(2010)
Midcredits score: 76th percentile of all films
Midcredits score: 24th percentile of all films
Lonely Street (not in the MovieCove catalog yet)(2009)
Career shape
A full career of 11 titles from 2009 to 2024.

Biggest box office
Rock of Ages (2012)

Highest rated
Jiro Dreams of Sushi (2011)

Most popular right now
Rock of Ages (2012)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Scott Prisand's films land?
Their typical MovieCove film has a Midcredits score in the 30th percentile, the median of all 13; across their 12 films with reception data, the typical film sits in the 24th percentile for acclaim.
- 75th and up2
- 25th to 49th5
- Below 25th6
Shape of the crowd
7 of their 13 titles are Mixed.
- Universally Loved1
- Universally Panned1
- Divisive1
- Crowd Pleaser2
- Broadly Agreed1
- Mixed7
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Scott Prisand's work okay for kids?
Across up to 5 MovieCove titles with content scores, sex & nudity runs heavier than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Scott Prisand work with?
People who share at least 2 of Scott Prisand's MovieCove titles, grouped by what they did on them; Matt Weaver shares the most, 7.
Writers
- Chris D'ArienzoShared titles: Rock of Ages (2012), Barry Munday (2010)See all 2 shared titles with Chris D'Arienzo

Composers and cinematographers
- Nathan WangShared titles: Don't Turn Out the Lights (2023), Jewtopia (2012)See all 2 shared titles with Nathan Wang

- Morgan SusserShared titles: Barry Munday (2010), Hesher (2010)See all 2 shared titles with Morgan Susser
Producers
- Matt WeaverShared titles: Jewtopia (2012), Rock of Ages (2012), Jiro Dreams of Sushi (2011), Barry Munday (2010), Beware the Gonzo (2010), Hesher (2010), Nic & Tristan Go Mega Dega (2010)See all 7 shared titles with Matt Weaver
- Barry HabibShared titles: Don't Turn Out the Lights (2023), Can't Take It Back (2017), Barry Munday (2010), Hesher (2010), Nic & Tristan Go Mega Dega (2010)See all 5 shared titles with Barry Habib

- Tom PellegriniShared titles: Can't Take It Back (2017), Jiro Dreams of Sushi (2011), Barry Munday (2010), Hesher (2010), Nic & Tristan Go Mega Dega (2010)See all 5 shared titles with Tom Pellegrini
- Michael SpeyerShared titles: Don't Turn Out the Lights (2023), 7 Days to Vegas (2019), Can't Take It Back (2017), F*&% the Prom (2017)See all 4 shared titles with Michael Speyer


