- Producer
- 13 on MovieCove · 17 credits in all
What are Andrea Roa's films like?
Across their 12 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 12
A split, not a type: Light 3 · Serious 4 · Dark 5
Grounded 6 · Stylized 6 · Heightened 0
Gentle 4 · Charged 5 · Intense 3
Steady 6 · Shifting 6 · Whiplash 0
Straight-faced 9 · Some laughs 3 · Funny 0
Slow burn 8 · Even-paced 4 · Relentless 0
Casual 3 · Engaged 6 · Full focus 3
A split, not a type: Easy watch 3 · Affecting 3 · Heavy 6
A split, not a type: Resolved 4 · Open-ended 1 · Ambiguous 7
Moods and endings
- Bittersweet5
- Tragic1
- Ambiguous6
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Andrea Roa's films?
As of October 24, 2026, 8 of their 13 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Andrea Roa's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
17 credits, 13 with a MovieCove page.

The History of Sound(2025)
Midcredits score: 78th percentile of all films
Master(2022)
Midcredits score: 25th percentile of all films
Italian Studies(2021)
Midcredits score: 11th percentile of all films
Midcredits score: 39th percentile of all films
The Star (not in the MovieCove catalog yet)(2021)

(The [End) of History Illusion] (not in the MovieCove catalog yet)(2017)

It Comes at Night(2017)
Midcredits score: 48th percentile of all films
Tramps(2016)
Midcredits score: 63rd percentile of all films
10 Crosby (not in the MovieCove catalog yet)(2016)

Unexpected(2015)
Midcredits score: 35th percentile of all films
Drinking Buddies(2013)
Midcredits score: 47th percentile of all films
Sunlight Jr.(2013)
Midcredits score: 29th percentile of all films
Best Friends (not in the MovieCove catalog yet)(2013)

Booster(2012)
Midcredits score: 13th percentile of all films
Against the Current(2009)
Midcredits score: 46th percentile of all films
Rain Fall(2009)
Midcredits score: 10th percentile of all films
Broken Flowers(2005)
Midcredits score: 86th percentile of all films
Career shape
A full career of 14 titles from 2005 to 2025.

Biggest box office
It Comes at Night (2017)

Highest rated
The History of Sound (2025)

Most popular right now
It Comes at Night (2017)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
Awards
Nominated for an Independent Spirit Award in 2014.
Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.
How do Andrea Roa's films land?
Their typical MovieCove film has a Midcredits score in the 39th percentile, the median of all 13; across their 12 films with reception data, the typical film sits in the 44th percentile for acclaim.
- 75th and up2
- 50th to 74th1
- 25th to 49th7
- Below 25th3
Shape of the crowd
9 of their 13 titles are Mixed.
- Crowd Pleaser3
- Broadly Agreed1
- Mixed9
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Andrea Roa's work okay for kids?
Across up to 5 MovieCove titles with content scores, 1 of the 5 categories sits near the median of all films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Andrea Roa work with?
People who share at least 2 of Andrea Roa's MovieCove titles, grouped by what they did on them; Brad Becker-Parton shares the most, 4.
Directors
- Adam LeonShared titles: Italian Studies (2021), Tramps (2016)See all 2 shared titles with Adam Leon

Composers and editors
- Nicholas BritellShared titles: Italian Studies (2021), Tramps (2016)See all 2 shared titles with Nicholas Britell

- Sara ShawShared titles: Italian Studies (2021), Tramps (2016)See all 2 shared titles with Sara Shaw

Producers
- Brad Becker-PartonShared titles: Master (2022), Italian Studies (2021), The Year of the Everlasting Storm (2021), Tramps (2016)See all 4 shared titles with Brad Becker-Parton
- David KaplanShared titles: The Year of the Everlasting Storm (2021), It Comes at Night (2017), Tramps (2016), Drinking Buddies (2013)See all 4 shared titles with David Kaplan
- Joshua AstrachanShared titles: Master (2022), Italian Studies (2021), Tramps (2016)See all 3 shared titles with Joshua Astrachan
- Ana LeochaShared titles: The History of Sound (2025), Italian Studies (2021)See all 2 shared titles with Ana Leocha
