Kris Kaczor

What are Kris Kaczor's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Survival and Society.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Kris Kaczor's films?

As of October 24, 2026, 4 of their 5 MovieCove titles stream on a subscription or free service, most on Disney+ (2).

• Disney+2 titles, browse their movies on this service
  • We Feed People (2022) · cinematographer
  • Pets (2025) · cinematographer
• Apple TV1 title, browse their movies on this service
  • Dads (2019) · sound mixer
• Hulu1 title, browse their movies on this service
  • We Feed People (2022) · cinematographer
• Prime Video1 title, browse their movies on this service
  • Big Crow (2022) · director, composer
• Tubi1 title, browse their movies on this service
  • Big Crow (2022) · director, composer · free

Subscription and free streaming for Kris Kaczor's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 5 with a MovieCove page.

• 

  Pets(2025)

  Cinematographer

  Midcredits score: 73rd percentile of all films73^rd
• 

  We Feed People(2022)

  Cinematographer

  Midcredits score: 83rd percentile of all films83^rd
• 

  Big Crow(2022)

  Director · Composer

  Midcredits score: 58th percentile of all films (provisional, few ratings)~58^th
• 

  Dads(2019)

  Sound Mixer

  Midcredits score: 73rd percentile of all films73^rd
• We Are All Angels (not in the MovieCove catalog yet)(2018)

  Director · Writer
• 

  Divide in Concord(2014)

  Director · Cinematographer · Composer · Editor

  Midcredits score: 40th percentile of all films (provisional, few ratings)~40^th

Career shape

A full career of 5 titles from 2014 to 2022.

Highest rated

We Feed People (2022)

Midcredits 83^rd

Awards

Nominated for a Primetime Emmy in 2022, Outstanding Cinematography for a Nonfiction Program.

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Kris Kaczor's films land?

Their typical MovieCove film has a Midcredits score in the 73^rd percentile, the median of all 5; across a limited sample of 4 films with reception data, the typical film sits in the 71^st percentile for acclaim.

Shape of the crowd

2 of their 5 titles are Mixed.

1112

• Divisive1
• Cult Classic1
• Crowd Pleaser1
• Mixed2

Most divisive · director, composer

Big Crow (2022)

99^th percentile spread · 47% rated it 4 or lower

Most loved · cinematographer

We Feed People (2022)

Midcredits 83^rd · 73% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Kris Kaczor work with?

People who share at least 2 of Kris Kaczor's MovieCove titles, grouped by what they did on them; Sami Jano shares the most, 3.