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Jun'ya Katô

Writer · Born May 14, 1971 (55)

Born
May 14, 1971 (55)
Works as
Writer
Titles
5 on MovieCove · 20 credits in all
TMDB popularity, last 38 days to Oct 27Up 15% in 30 days

What are Jun'ya Katô's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Survival and Self.

Themes

share of theme weight
Survival
41%
Self
30%
Morality
13%
Ideas
9%
Bonds
8%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 1 · Serious 1 · Dark 2

Grounded 1 · Stylized 0 · Heightened 3

Gentle 0 · Charged 2 · Intense 2

Steady 0 · Shifting 2 · Whiplash 2

Straight-faced 2 · Some laughs 2 · Funny 0

Slow burn 0 · Even-paced 2 · Relentless 2

Casual 0 · Engaged 4 · Full focus 0

Resolved 0 · Open-ended 3 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
4
Absurd
2
Dread
2
Melancholic
2
Thrilling
1
Other
2

How their films end

  • Bittersweet2
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jun'ya Katô's films?

As of October 24, 2026, 2 of their 5 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Jun'ya Katô's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

20 credits, 5 with a MovieCove page.

  • White Lily(2016)

    Screenplay

    Midcredits score: 10th percentile of all films
  • Somewhere in Kamakura (not in the MovieCove catalog yet)(2016)

    Writer

  • Ghost Theater (not in the MovieCove catalog yet)(2015)

    Writer

  • Tokyo PR Woman (not in the MovieCove catalog yet)(2015)

    Writer

  • The Road Less Travelled (not in the MovieCove catalog yet)(2013)

    Screenplay

  • The Complex (not in the MovieCove catalog yet)(2013)

    Writer

  • The Complex: Prologue(2013)

    Show 12 episodes · Writer

    Midcredits score: 3rd percentile of all shows (provisional, few ratings)
  • Atsuhime No.1 (not in the MovieCove catalog yet)(2012)

    Screenplay

  • Ousama Game (not in the MovieCove catalog yet)(2011)

    Screenplay

  • The Ancient Dogoo Girl (not in the MovieCove catalog yet)(2009)

    Show 6 episodes · Screenplay

  • Stop the Bitch Campaign Version 2.0 (not in the MovieCove catalog yet)(2009)

    Screenplay

  • New Type: Just For Your Love (not in the MovieCove catalog yet)(2008)

    Screenplay

  • 0093: Masao Kusakari On Her Majesty's Secret Service (not in the MovieCove catalog yet)(2007)

    Writer

  • Midcredits score: 56th percentile of all films
  • Meatball Machine(2005)

    Screenplay

    Midcredits score: 36th percentile of all films
  • Tales of Terror: The Curse of Nobuhiro-san (not in the MovieCove catalog yet)(2006)

    Writer

  • Death Trance(2005)

    Screenplay

    Midcredits score: 46th percentile of all films
  • The Great Horror Family (not in the MovieCove catalog yet)(2004)

    Show 6 episodes · Teleplay

  • Nervous Part 2: Versus Side Story (not in the MovieCove catalog yet)(2004)

    Screenplay

  • Man Gataro Show: Babaa Zone (not in the MovieCove catalog yet)(2004)

    Screenplay

Career shape

A full career of 20 titles from 2004 to 2016.

By role

only this rolewith another role
Writing20 of 20: 20 only writing, 0 with another role · typical Midcredits score36th

By decade

2000s11 · crew2010s9 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Jun'ya Katô's films land?

Their typical MovieCove film has a Midcredits score in the 41st percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 43rd percentile for acclaim.

Acclaim · how much people like their films

43rdpercentile
Typical film, the median of 4

Approval · how many liked their films

40thpercentile
Typical film, the median of 4

Reach · how many have seen their films

57thpercentile
Typical film, the median of 4

Midcredits score across 5 titles, by percentile

  • 50th to 74th1
  • 25th to 49th2
  • Below 25th2

Reviewers score the dialogue 38/100 and the plot and story 37/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Jun'ya Katô work with?

People who share at least 2 of Jun'ya Katô's MovieCove titles, grouped by what they did on them; Hideo Nakata shares the most, 2.

Directors

Writers

Producers