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Blythe Robertson

Blythe Robertson

Producer

Works as
Producer
Titles
4 on MovieCove
Links
IMDb (opens in a new tab)

Known for

What are Blythe Robertson's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Themes

share of theme weight
Bonds
44%
Self
20%
Survival
15%
Power
8%
Society
7%
Morality
5%
Family bonds2 titles, browse their movies with this theme

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category
Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 3 · Stylized 0 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 1 · Intense 1

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 2 · Shifting 1 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 3 · Some laughs 0 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 3 · Even-paced 0 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 2 · Engaged 1 · Full focus 0

Heavy: How much it costs you emotionally; whether you need recovery time. Browse their heavy movies.
Demand · Emotional cost
easyheavy

Easy watch 0 · Affecting 1 · Heavy 2

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 1 · Open-ended 2 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Melancholic
3
Contemplative
2
Bittersweet
2
Tense
1
Dread
2
Other
2

How their films linger

Thought-provoking3 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertaste

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Blythe Robertson's films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Blythe Robertson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

  • Little Men(2016)

    Producer

    Midcredits score: 73rd percentile of all films

  • Love Is Strange(2014)

    Producer

    Midcredits score: 73rd percentile of all films

  • About Sunny(2011)

    Producer

    Midcredits score: 53rd percentile of all films

  • God in America(2010)

    Show Producer

    Midcredits score: 51st percentile of all shows

Career shape

Across a limited sample of 4 MovieCove titles from 2010 to 2016.

Biggest box office

Love Is Strange (2014)

$3.1M worldwide

Highest rated

Little Men (2016)

Midcredits 73rd

Most popular right now

Love Is Strange (2014)

By role

only this rolewith another role
Producing4 of 4: 4 only producing, 0 with another role

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Blythe Robertson's films land?

Their typical MovieCove film has a Midcredits score in the 73rd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 76th percentile for acclaim.

Acclaim · how much people like their films

76thpercentile
Typical film, the median of 3

Approval · how many liked their films

65thpercentile
Typical film, the median of 3

Reach · how many have seen their films

87thpercentile
Typical film, the median of 3

Midcredits score across 4 titles, by percentile

  • 50th to 74th4

Shape of the crowd

2 of their 4 titles are Crowd Pleasers.

  • Crowd Pleaser2
  • Mixed2

Most divisive · producer

God in America (2010)

60th percentile spread · 16% rated it 4 or lower

Most loved · producer

Little Men (2016)

Midcredits 73rd · 59% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Blythe Robertson work with?

People who share at least 2 of Blythe Robertson's MovieCove titles, grouped by what they did on them; Ira Sachs shares the most, 2.

Directors

Writers

Editors

Producers