Christina D. King

What are Christina D. King's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Society and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Christina D. King's films?

As of October 24, 2026, 8 of their 10 MovieCove titles stream on a subscription or free service, most on HBO Max (2).

• HBO Max2 titles, browse their movies on this service
  • Six by Sondheim (2013) · production supervisor
  • The Vow (2020) · producer
• AMC+1 title, browse their movies on this service
  • Che: Part Two (2008) · production secretary
• Disney+1 title, browse their movies on this service
  • Echo (2023) · producer
• Paramount+1 title, browse their movies on this service
  • 7 Deadly Sins (2014) · producer
• The Roku Channel1 title, browse their movies on this service
  • We the Animals (2018) · producer · free
• Tubi1 title, browse their movies on this service
  • Capitalism: A Love Story (2009) · producer · free

Subscription and free streaming for Christina D. King's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

11 credits, 10 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

• 

  Periodical (not in the MovieCove catalog yet)(2024)

  Executive Producer
• 

  Echo(2023)

  Show 5 episodes · Supervising Producer

  Midcredits score: 9th percentile of all shows9^th
• 

  The Vow(2020)

  Show Producer

  Midcredits score: 56th percentile of all shows56^th
• 

  We the Animals(2018)

  Producer

  Midcredits score: 78th percentile of all films78^th
• 

  Warrior Women(2018)

  Director · Co-Producer · Screenplay · Writer

  Midcredits score: 87th percentile of all films (provisional, few ratings)~87^th
• 

  This May Be the Last Time(2014)

  Producer

  Midcredits score: 79th percentile of all films (provisional, few ratings)~79^th
• 

  7 Deadly Sins(2014)

  Show Producer

  Midcredits score: 42nd percentile of all shows42^nd
• 

  Six by Sondheim(2013)

  Production Supervisor

  Midcredits score: 97th percentile of all films97^th
• 

  Up Heartbreak Hill(2011)

  Producer

  Midcredits score: 66th percentile of all films (provisional, few ratings)~66^th
• 

  Capitalism: A Love Story(2009)

  Producer

  Midcredits score: 86th percentile of all films86^th
• 

  Che: Part Two(2008)

  Production Secretary

  Midcredits score: 76th percentile of all films76^th

Career shape

A full career of 7 titles from 2008 to 2024.

Biggest box office

Capitalism: A Love Story (2009)

$17M worldwide

Highest rated

Capitalism: A Love Story (2009)

Midcredits 86^th

Most popular right now

The Vow (2020)

How do Christina D. King's films land?

Their typical MovieCove film has a Midcredits score in the 79^th percentile, the median of all 7; across their 5 films with reception data, the typical film sits in the 82^nd percentile for acclaim.

Shape of the crowd

3 of their 10 titles are Crowd Pleasers.

233

• Universally Loved1
• Cult Classic2
• Crowd Pleaser3
• Broadly Agreed1
• Mixed3

Most divisive · producer

Up Heartbreak Hill (2011)

87^th percentile spread · 26% rated it 4 or lower

Most loved · producer

Capitalism: A Love Story (2009)

Midcredits 86^th · 77% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Christina D. King work with?

People who share at least 2 of Christina D. King's MovieCove titles, grouped by what they did on them; Jeremy Yaches shares the most, 3.