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Motif

Chien-Han Wang

Cinematographer · Born January 1, 1915 (111)

Born
January 1, 1915 (111)
Works as
Cinematographer
Titles
3 on Motif · 13 credits in all
TMDB popularity, last 39 days to Oct 28Down 29% in 30 days

What are Chien-Han Wang's films like?

Across a limited sample of 3 Motif titles with a thematic analysis, their films lean Morality and Bonds.

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 0 · Dark 1

Grounded 0 · Stylized 3 · Heightened 0

Gentle 0 · Charged 2 · Intense 1

Steady 0 · Shifting 3 · Whiplash 0

Straight-faced 2 · Some laughs 1 · Funny 0

A split, not a type: Slow burn 0 · Even-paced 1 · Relentless 2

Casual 0 · Engaged 3 · Full focus 0

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
2
Thrilling
2
Cathartic
1
Joyful
1
Triumphant
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Chien-Han Wang's films?

As of October 24, 2026, 2 of their 3 Motif titles stream on a subscription or free service.

Subscription and free streaming for Chien-Han Wang's titles on Motif; rent and buy are not counted.

Filmography

13 credits, 3 with a Motif page.

  • Tang shou tai quan dao(1972)

    Cinematographer

    Motif score: 26th percentile of all films (provisional, few ratings)
  • The Jade Faced Assassin(1971)

    Cinematographer

    Motif score: 41st percentile of all films (provisional, few ratings)
  • The Iron Buddha(1970)

    Cinematographer

    Motif score: 46th percentile of all films
  • Wrath of the Sword (not in the Motif catalog yet)(1970)

    Cinematographer

  • That Fiery Girl (not in the Motif catalog yet)(1968)

    Cinematographer

  • Mist over Dream Lake (not in the Motif catalog yet)(1968)

    Cinematographer

  • Lady Jade Locket (not in the Motif catalog yet)(1967)

    Cinematographer

  • Beauty of Beauties (not in the Motif catalog yet)(1965)

    Cinematographer

  • Trouble on the Wedding Night (not in the Motif catalog yet)(1964)

    Cinematographer

  • A Maid from Heaven (not in the Motif catalog yet)(1963)

    Cinematographer

  • Three Sinners (not in the Motif catalog yet)(1963)

    Cinematographer

  • The Adulteress (not in the Motif catalog yet)(1963)

    Cinematographer

  • Bride For Rent (not in the Motif catalog yet)(1961)

    Cinematographer

Career shape

A full career of 13 titles from 1961 to 1972.

By role

only this rolewith another role
Cinematography13 of 13: 13 only cinematography, 0 with another role

By decade

1960s9 · crew1970s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Chien-Han Wang's films land?

Their typical Motif film has a Motif score in the 41st percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 37th percentile for acclaim.

Acclaim · how much people like their films

37thpercentile
Typical film, the median of 3

Approval · how many liked their films

45thpercentile
Typical film, the median of 3

Reach · how many have seen their films

10thpercentile
Typical film, the median of 3

Motif score across 3 titles, by percentile

  • 25th to 49th3

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Motif score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Chien-Han Wang work with?

People who share at least 2 of Chien-Han Wang's Motif titles, grouped by what they did on them; Chun Yen shares the most, 2.

Directors

Actors

Editors

Producers