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Francisco Bello

Editor, writer, producer and director, also cinematographer

Oscar nominee

Francisco Bello, is an OSCAR® Nominated and EMMY winning filmmaker. He studied at the Cooper Union School of Art and after entry level work on films by Francis Ford Coppola, Kevin Smith, and Michael Moore (among others), he shot and produced "Salim Baba," nominated for an ACADEMY AWARD® for Best Short Documentary and an EMMY. He then produced and edited "War Don Don," which won the Special Jury Prize at the 2010 SXSW Film Festival, the first Karen Schmeer Award for Excellence in Documentary Editing, and two EMMY nominations. He co-directed "Dreaming Against the World," which premiered at the Telluride Film Festival, screened at the closing night of DocNYC and at Asia Society. He also edited "The First Wave," which won Emmys for Outstanding Editing, Outstanding Cinematography and Best Documentary. Additional highlights include editing the SXSW Narrative Grand Jury winning "Most Beautiful Island," writing and editing the Peabody-winning "Best Kept Secret," editing the Emmy-winning "16 Shots," writing and editing the 2022 Emmy nominated films "Desert One" and "Takeover!" He is a member of American Cinema Editors (ACE), the documentary branch of AMPAS and served on the board of Karen Schmeer Film Editing Fellowship. He has been awarded the Estela Award from the National Association of Latino Independent Producers (NALIP), fellowships from the PBS/WGBH Producer's Academy, the Latino Producers Academy, Tribeca All Access, and grants from the Tribeca Film Institute, Vital Projects Fund, Urban Artists Initiative and Queens Council on the Arts, among others.

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Biography from IMDb.

Works as
Editor, writer, producer and director, also cinematographer
Titles
16 on MovieCove · 21 credits in all
TMDB popularity, last 157 days to Oct 28Down 27% in 30 days

What are Francisco Bello's films like?

Across their 16 MovieCove titles with a thematic analysis, their films lean Survival and Power.

What they feel like to watch

their average across 16 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 4 · Serious 1 · Dark 11

Grounded 16 · Stylized 0 · Heightened 0

Gentle 2 · Charged 7 · Intense 6

Steady 7 · Shifting 6 · Whiplash 2

Straight-faced 13 · Some laughs 3 · Funny 0

Slow burn 10 · Even-paced 6 · Relentless 0

Casual 2 · Engaged 10 · Full focus 4

A split, not a type: Easy watch 3 · Affecting 5 · Heavy 8

Resolved 6 · Open-ended 8 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
12
Contemplative
7
Hopeful
5
Melancholic
5
Dread
3
Other
11

How their films end

  • Happy1
  • Bittersweet8
  • Ambiguous7

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Francisco Bello's films?

As of October 24, 2026, 10 of their 16 MovieCove titles stream on a subscription or free service, most on Tubi (6).

Subscription and free streaming for Francisco Bello's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

21 credits, 16 with a MovieCove page.

  • The Librarians(2025)

    Editor

    Midcredits score: 93rd percentile of all films
  • The First Wave(2021)

    Editor

    Midcredits score: 82nd percentile of all films
  • Takeover (not in the MovieCove catalog yet)(2021)

    Editor · Writer

  • Apart (not in the MovieCove catalog yet)(2021)

    Editor

  • Desert One(2019)

    Editor · Writer

    Midcredits score: 85th percentile of all films
  • The Interpreters(2018)

    Editor

    Midcredits score: 80th percentile of all films (provisional, few ratings)
  • 16 Shots(2019)

    Editor

    Midcredits score: 78th percentile of all films
  • Out of My Head(2018)

    Editor

    Midcredits score: 67th percentile of all films (provisional, few ratings)
  • Midcredits score: 70th percentile of all films
  • The Reagan Show(2017)

    Editor · Writer

    Midcredits score: 59th percentile of all films
  • Midcredits score: 40th percentile of all films
  • The C Word(2016)

    Editor

    Midcredits score: 92nd percentile of all films
  • Dreaming Against the World (not in the MovieCove catalog yet)(2015)

    Director

  • Landfill Harmonic(2015)

    Editor

    Midcredits score: 95th percentile of all films
  • 23 seconds (not in the MovieCove catalog yet)(2014)

    Executive Producer

  • Best Kept Secret(2013)

    Editor · Writer

    Midcredits score: 91st percentile of all films
  • Code of the West(2012)

    Editor · Producer · Screenplay

    Midcredits score: 85th percentile of all films (provisional, few ratings)
  • Our Nixon(2013)

    Editor

    Midcredits score: 70th percentile of all films
  • War Don Don(2010)

    Editor · Producer

    Midcredits score: 75th percentile of all films
  • El espiritu de la salsa(2010)

    Director · Cinematographer · Producer

    Midcredits score: 38th percentile of all films (provisional, few ratings)
  • Salim Baba (not in the MovieCove catalog yet)(2007)

    Producer

Career shape

A full career of 18 titles from 2007 to 2021.

By role

only this rolewith another role
Directing2 of 18: 2 only directing, 0 with another roleWriting4 of 18: 1 only writing, 3 with another roleProducing3 of 18: 2 only producing, 1 with another roleEditing13 of 18: 9 only editing, 4 with another role · typical Midcredits score78th

18 titles, 4 with more than one role — editing and writing overlap on 3 of them.

By decade

2000s1 · crew2010s14 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

Nominated for an Oscar in 2008, Best Documentary, Short Subjects.

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Francisco Bello's films land?

Their typical MovieCove film has a Midcredits score in the 79th percentile, the median of all 16; across their 16 films with reception data, the typical film sits in the 80th percentile for acclaim.

Acclaim · how much people like their films

80thpercentile
Typical film, the median of 16

Approval · how many liked their films

76thpercentile
Typical film, the median of 16

Reach · how many have seen their films

41stpercentile
Typical film, the median of 16

Midcredits score across 16 titles, by percentile

  • 75th and up10
  • 50th to 74th4
  • 25th to 49th2

Shape of the crowd

6 of their 16 titles are Crowd Pleasers.

  • Universally Loved1
  • Loved with Detractors1
  • Divisive1
  • Cult Classic3
  • Crowd Pleaser6
  • Mixed4

Reviewers score the pacing 50/100 in their films, across 7 reviewed titles; fans 57, detractors 31. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Francisco Bello work with?

People who share at least 2 of Francisco Bello's MovieCove titles, grouped by what they did on them; Dan Cogan shares the most, 4.

Directors

Composers and editors

Producers