Henri Michaud

What are Henri Michaud's films like?

Across their 6 Motif titles with a thematic analysis, their films lean Self and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Henri Michaud's films?

As of October 24, 2026, 3 of their 6 Motif titles stream on a subscription or free service, most on Pluto TV (2).

• Pluto TV2 titles, browse their movies on this service
  • Danger: Diabolik (1968) · producer · free
  • Barbarella (1968) · producer · free

Subscription and free streaming for Henri Michaud's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 6 with a Motif page.

• 

  Borsalino(1970)

  Producer

  Midcredits score: 78th percentile of all films78^th
• 

  The Conformist(1970)

  Producer

  Midcredits score: 97th percentile of all films97^th
• 

  Those Daring Young Men in Their Jaunty Jalopies(1969)

  Producer

  Midcredits score: 47th percentile of all films47^th
• 

  Barbarella(1968)

  Producer

  Midcredits score: 42nd percentile of all films42^nd
• 

  Danger: Diabolik(1968)

  Producer

  Midcredits score: 67th percentile of all films67^th
• 

  The Stranger(1967)

  Producer

  Midcredits score: 81st percentile of all films81^st

Career shape

Across their 6 Motif titles from 1967 to 1970.

Biggest box office

The Conformist (1970)

$723K worldwide

Highest rated

The Conformist (1970)

Midcredits 97^th

Most popular right now

Barbarella (1968)

How do Henri Michaud's films land?

Their typical Motif film has a Midcredits score in the 73^rd percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 73^rd percentile for acclaim.

Shape of the crowd

None of their 6 titles divides audiences: 4 are Crowd Pleasers.

141

• Universally Loved1
• Crowd Pleaser4
• Mixed1

Most loved · producer

The Conformist (1970)

Midcredits 97^th · 85% liked

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Henri Michaud's work okay for kids?

Across a limited sample of up to 3 Motif titles with content scores.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Henri Michaud work with?

People who share at least 2 of Henri Michaud's Motif titles, grouped by what they did on them; Dino De Laurentiis shares the most, 4.