Tadahito Matsumoto

What are Tadahito Matsumoto's films like?

Across their 12 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Tadahito Matsumoto's films?

As of October 24, 2026, 5 of their 12 MovieCove titles stream on a subscription or free service, most on Tubi (3).

• Tubi3 titles, browse their movies on this service
  • Lupin III: Green vs. Red (2008) · producer · free
  • Anpanman: Star-Spirited Dollie (2006) · producer · free
  • Soreike! Anpanman: Shabondama No Purun (2007) · producer · free
• Netflix2 titles, browse their movies on this service
  • Anpanman: Star-Spirited Dollie (2006) · producer
  • Soreike! Anpanman: Shabondama No Purun (2007) · producer
• Pluto TV2 titles, browse their movies on this service
  • Lupin III: Voyage to Danger (1993) · producer · free
  • Lupin III: Green vs. Red (2008) · producer · free
• Crunchyroll1 title
  • Glass Mask (2005) · producer

Subscription and free streaming for Tadahito Matsumoto's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 12 with a MovieCove page.

• 

  Lupin III: Green vs. Red(2008)

  Producer

  Midcredits score: 45th percentile of all films45^th
• 

  Soreike! Anpanman: Shabondama No Purun(2007)

  Producer

  Midcredits score: 5th percentile of all films (provisional, few ratings)~5^th
• 

  Anpanman: Star-Spirited Dollie(2006)

  Producer

  Midcredits score: 22nd percentile of all films (provisional, few ratings)~22^nd
• 

  Glass Mask(2005)

  Show Producer

  Midcredits score: 71st percentile of all shows71^st
• 

  Lupin III: Return of Pycal(2002)

  Producer

  Midcredits score: 23rd percentile of all films23^rd
• 

  Lupin III: Dead or Alive(1996)

  Producer

  Midcredits score: 73rd percentile of all films73^rd
• 

  Lupin III: Farewell to Nostradamus(1995)

  Producer

  Midcredits score: 78th percentile of all films78^th
• 

  Lupin the Third: Dragon of Doom(1994)

  Producer

  Midcredits score: 69th percentile of all films69^th
• 

  Lupin III: Voyage to Danger(1993)

  Producer

  Midcredits score: 73rd percentile of all films73^rd
• 

  Lupin the 3rd: From Siberia with Love(1992)

  Producer

  Midcredits score: 55th percentile of all films55^th
• 

  Lupin the 3rd: Napoleon's Dictionary(1991)

  Producer

  Midcredits score: 54th percentile of all films54^th
• 

  Lupin the 3rd: The Hemingway Papers(1990)

  Producer

  Midcredits score: 68th percentile of all films68^th

Career shape

Across their 12 MovieCove titles from 1990 to 2008.

Biggest box office

Soreike! Anpanman: Shabondama No Purun (2007)

$399K worldwide

Highest rated

Lupin III: Farewell to Nostradamus (1995)

Midcredits 78^th

Most popular right now

Glass Mask (2005)

How do Tadahito Matsumoto's films land?

Their typical MovieCove film has a Midcredits score in the 55^th percentile, the median of all 11; across their 11 films with reception data, the typical film sits in the 61^st percentile for acclaim.

Shape of the crowd

6 of their 12 titles are Crowd Pleasers.

263

• Universally Panned2
• Crowd Pleaser6
• Broadly Agreed1
• Mixed3

Most divisive · producer

Glass Mask (2005)

58^th percentile spread · 13% rated it 4 or lower

Most loved · producer

Lupin III: Farewell to Nostradamus (1995)

Midcredits 78^th · 67% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Tadahito Matsumoto work with?

People who share at least 2 of Tadahito Matsumoto's MovieCove titles, grouped by what they did on them; Monkey Punch shares the most, 9.