Richard Scott

What are Richard Scott's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Society.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Richard Scott's films?

As of October 24, 2026, all 4 MovieCove titles stream on a subscription or free service, most on Prime Video (3).

• Prime Video3 titles, browse their movies on this service
  • Lost in Oz (2015) · producer
  • Monster High: Welcome to Monster High (2016) · producer
  • Monster High: Electrified (2017) · producer
• Netflix1 title, browse their movies on this service
  • Scrooge: A Christmas Carol (2022) · producer

Subscription and free streaming for Richard Scott's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

• 

  Scrooge: A Christmas Carol(2022)

  Producer

  Midcredits score: 53rd percentile of all films53^rd
• 

  Monster High: Electrified(2017)

  Producer

  Midcredits score: 32nd percentile of all films32^nd
• 

  Monster High: Welcome to Monster High(2016)

  Producer

  Midcredits score: 34th percentile of all films34^th
• 

  Lost in Oz(2015)

  Show Producer

  Midcredits score: 64th percentile of all shows64^th

Career shape

Across a limited sample of 4 MovieCove titles from 2015 to 2022.

Highest rated

Scrooge: A Christmas Carol (2022)

Midcredits 53^rd

How do Richard Scott's films land?

Their typical MovieCove film has a Midcredits score in the 34^th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 37^th percentile for acclaim.

Shape of the crowd

2 of their 4 titles are Cult Classics.

22

• Cult Classic2
• Crowd Pleaser2

Most divisive · producer

Monster High: Electrified (2017)

81^st percentile spread · 32% rated it 4 or lower

Most loved · producer

Lost in Oz (2015)

Midcredits 64^th · 81% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Richard Scott work with?

People who share at least 2 of Richard Scott's MovieCove titles, grouped by what they did on them; Andrew Pearce shares the most, 4.