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Bryan Roberts

Editor

Works as
Editor
Titles
10 on MovieCove · 14 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27

What are Bryan Roberts' films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.

Themes

share of theme weight
Bonds
44%
Survival
24%
Morality
10%
Society
10%
Self
9%
Power
2%
Family bonds4 titles, browse their movies with this themeRomantic love4 titles, browse their movies with this themeSurvival3 titles, browse their movies with this themeCommunity2 titles, browse their movies with this themeTrauma2 titles, browse their movies with this themeGrief2 titles, browse their movies with this theme

What they feel like to watch

their average across 9 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 5 · Serious 0 · Dark 4

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 5 · Stylized 4 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 4 · Charged 4 · Intense 1

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 6 · Shifting 3 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 4 · Some laughs 4 · Funny 1

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 6 · Even-paced 3 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 6 · Engaged 3 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 7 · Open-ended 1 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Warm
5
Tense
5
Joyful
5
Dread
4
Romantic
2
Other
7

How their films linger

Feel-good6 titles, browse their movies with this aftertasteUnsettling4 titles, browse their movies with this aftertasteHopeful3 titles, browse their movies with this aftertasteFun2 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertasteHaunting2 titles, browse their movies with this aftertaste

How their films end · 3 with a twist

  • Happy5
  • Bittersweet1
  • Tragic1
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Bryan Roberts' films?

As of October 24, 2026, 9 of their 10 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Bryan Roberts' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 10 with a MovieCove page.

  • The Sighting(2016)

    Editor

    Midcredits score: 7th percentile of all films

  • Hirokin: The Last Samurai(2012)

    Editor

    Midcredits score: 3rd percentile of all films

  • A Christmas Wedding Tail(2011)

    Editor

    Midcredits score: 13th percentile of all films

  • A Holiday Heist(2011)

    Editor

    Midcredits score: 9th percentile of all films

  • A Nanny for Christmas(2010)

    Editor

    Midcredits score: 30th percentile of all films

  • Abandoned(2010)

    Editor

    Midcredits score: 17th percentile of all films

  • The Dog Who Saved Christmas(2009)

    Editor

    Midcredits score: 8th percentile of all films

  • A Christmas Proposal(2008)

    Editor

    Midcredits score: 11th percentile of all films

  • B.T.K. (not in the MovieCove catalog yet)(2008)

    Editor

  • Ed Gein: The Butcher of Plainfield(2007)

    Editor

    Midcredits score: 3rd percentile of all films

  • Jon & Kate Plus 8(2007)

    Show Editor

    Midcredits score: 10th percentile of all shows

  • A Dead Calling (not in the MovieCove catalog yet)(2006)

    Editor

  • Chandler Hall (not in the MovieCove catalog yet)(2005)

    Editor

  • Only Go There At Night (not in the MovieCove catalog yet)

    Director

Career shape

A full career of 13 titles, 12 of them dated from 2005 to 2016.

Highest rated

A Nanny for Christmas (2010)

Midcredits 30th

Most popular right now

Jon & Kate Plus 8 (2007)

By role

only this rolewith another role
Directing1 of 13: 1 only directing, 0 with another roleEditing12 of 13: 12 only editing, 0 with another role · typical Midcredits score9th

By decade

2000s6 · crew2010s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Bryan Roberts' films land?

Their typical MovieCove film has a Midcredits score in the 9th percentile, the median of all 9; across their 9 films with reception data, the typical film sits in the 8th percentile for acclaim.

Acclaim · how much people like their films

8thpercentile
Typical film, the median of 9

Approval · how many liked their films

15thpercentile
Typical film, the median of 9

Reach · how many have seen their films

61stpercentile
Typical film, the median of 9

Midcredits score across 10 titles, by percentile

  • 25th to 49th1
  • Below 25th9

Shape of the crowd

9 of their 10 titles are Mixed.

  • Divisive1
  • Mixed9

Most divisive · editor

Jon & Kate Plus 8 (2007)

98th percentile spread · 38% rated it 4 or lower

Most loved · editor

A Nanny for Christmas (2010)

Midcredits 30th · 33% liked

Reviewers score the pacing 32/100 in their films, across 8 reviewed titles; fans 48, detractors 24. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Bryan Roberts work with?

People who share at least 2 of Bryan Roberts' MovieCove titles, grouped by what they did on them; Michael Feifer shares the most, 6.

Directors

Writers

Actors

Composers and cinematographers

Producers