Dana Stone
- Writer
- 3 on Motif
What are Dana Stone's films like?
Across a limited sample of 3 Motif titles with a thematic analysis, their films lean Bonds and Survival.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 1 · Serious 1 · Dark 1
Grounded 3 · Stylized 0 · Heightened 0
Gentle 2 · Charged 1 · Intense 0
Steady 2 · Shifting 1 · Whiplash 0
Straight-faced 0 · Some laughs 2 · Funny 1
Slow burn 2 · Even-paced 1 · Relentless 0
Casual 3 · Engaged 0 · Full focus 0
Easy watch 3 · Affecting 0 · Heavy 0
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Dana Stone's films?
As of October 24, 2026, all 3 Motif titles stream on a subscription or free service.
Subscription and free streaming for Dana Stone's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a Motif page.
Small Town Christmas(2018)
Midcredits score: 72nd percentile of all films
Killer Bees(2002)
Midcredits score: 2nd percentile of all films
Wildfire 7(2002)
Midcredits score: 13th percentile of all films
Career shape
Across a limited sample of 3 Motif titles from 2002 to 2018.
How do Dana Stone's films land?
Their typical Motif film has a Midcredits score in the 13th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 11th percentile for acclaim.
- 50th to 74th1
- Below 25th2
Shape of the crowd
2 of their 3 titles are Mixed.
- Crowd Pleaser1
- Mixed2
Reviewers score the dialogue 25/100 and the plot and story 20/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Dana Stone work with?
People who share at least 2 of Dana Stone's Motif titles, grouped by what they did on them; Timothy O. Johnson shares the most, 3.
Composers, cinematographers and editors
- Earl FudgerShared titles: Killer Bees (2002), Wildfire 7 (2002)See all 2 shared titles with Earl Fudger
- John SeredaShared titles: Killer Bees (2002), Wildfire 7 (2002)See all 2 shared titles with John Sereda
- Mahlon Todd WilliamsShared titles: Killer Bees (2002), Wildfire 7 (2002)See all 2 shared titles with Mahlon Todd Williams
Producers
- Timothy O. JohnsonShared titles: Small Town Christmas (2018), Killer Bees (2002), Wildfire 7 (2002)See all 3 shared titles with Timothy O. Johnson
- George ZaloomShared titles: Killer Bees (2002), Wildfire 7 (2002)See all 2 shared titles with George Zaloom
- James ShavickShared titles: Killer Bees (2002), Wildfire 7 (2002)See all 2 shared titles with James Shavick
- Jeff BowlerShared titles: Killer Bees (2002), Wildfire 7 (2002)See all 2 shared titles with Jeff Bowler
