- Producer and editor
- 4 on MovieCove · 6 credits in all
Known for
What are April Hayes' films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Ideas and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
A split, not a type: Light 2 · Serious 0 · Dark 1
Grounded 2 · Stylized 0 · Heightened 1
Gentle 1 · Charged 1 · Intense 1
A split, not a type: Steady 1 · Shifting 2 · Whiplash 0
Straight-faced 2 · Some laughs 1 · Funny 0
Slow burn 3 · Even-paced 0 · Relentless 0
Casual 2 · Engaged 1 · Full focus 0
Easy watch 2 · Affecting 0 · Heavy 1
A split, not a type: Resolved 2 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch April Hayes' films?
As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service, most on Tubi (2).
Subscription and free streaming for April Hayes' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
6 credits, 4 with a MovieCove page.
Bob Dylan: Odds and Ends(2021)
Midcredits score: 66th percentile of all films
Midcredits score: 91st percentile of all films
The Sentence(2018)
Midcredits score: 78th percentile of all films
Home Truth (not in the MovieCove catalog yet)(2017)
Obvious Child(2014)
Midcredits score: 73rd percentile of all films
Annie Leibovitz: Life Through a Lens (not in the MovieCove catalog yet)(2007)
Career shape
A full career of 6 titles from 2007 to 2021.
How do April Hayes' films land?
Their typical MovieCove film has a Midcredits score in the 76th percentile, the median of all 4; across a limited sample of 3 films with reception data, the typical film sits in the 82nd percentile for acclaim.
- 75th and up2
- 50th to 74th2
Shape of the crowd
2 of their 4 titles are Mixed.
- Universally Loved1
- Crowd Pleaser1
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does April Hayes work with?
People who share at least 2 of April Hayes' MovieCove titles, grouped by what they did on them; Damian Rodriguez shares the most, 2.
Cinematographers and editors
- Damian RodriguezShared titles: Bob Dylan: Odds and Ends (2021), Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese (2019)See all 2 shared titles with Damian Rodriguez
- Ellen KurasShared titles: Bob Dylan: Odds and Ends (2021), Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese (2019)See all 2 shared titles with Ellen Kuras
Producers
- Jeff RosenShared titles: Bob Dylan: Odds and Ends (2021), Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese (2019)See all 2 shared titles with Jeff Rosen