Han Lu Kuang
- Cinematographer
- 9 on MovieCove
What are Han Lu Kuang's films like?
Across their 9 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 9
Light 2 · Serious 4 · Dark 3
Grounded 1 · Stylized 6 · Heightened 2
Gentle 1 · Charged 6 · Intense 2
A split, not a type: Steady 5 · Shifting 4 · Whiplash 0
Straight-faced 6 · Some laughs 3 · Funny 0
Slow burn 2 · Even-paced 6 · Relentless 1
Casual 7 · Engaged 2 · Full focus 0
Easy watch 6 · Affecting 3 · Heavy 0
Resolved 9 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy5
- Bittersweet3
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Han Lu Kuang's films?
As of October 24, 2026, 3 of their 9 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Han Lu Kuang's titles on MovieCove; rent and buy are not counted.
Filmography
9 credits, 9 with a MovieCove page.
Qiao tan nu jiao wa(1977)
Midcredits score: 20th percentile of all films
The Spiritual Boxer(1975)
Midcredits score: 68th percentile of all films
All Men Are Brothers(1974)
Midcredits score: 60th percentile of all films
Da hai dao(1973)
Midcredits score: 48th percentile of all films
The Master of Kung Fu(1973)
Midcredits score: 25th percentile of all films
Ji xiang du fang(1972)
Midcredits score: 49th percentile of all films (provisional, few ratings)
Swordswomen Three(1970)
Midcredits score: 36th percentile of all films (provisional, few ratings)
Luo xie(1969)
Midcredits score: 5th percentile of all films (provisional, few ratings)
The Assassin(1967)
Midcredits score: 66th percentile of all films
Career shape
Across their 9 MovieCove titles from 1967 to 1977.
Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.
How do Han Lu Kuang's films land?
Their typical MovieCove film has a Midcredits score in the 48th percentile, the median of all 9; across their 9 films with reception data, the typical film sits in the 53rd percentile for acclaim.
- 50th to 74th3
- 25th to 49th4
- Below 25th2
Shape of the crowd
4 of their 9 titles are Crowd Pleasers.
- Crowd Pleaser4
- Broadly Agreed2
- Mixed3
Reviewers score the cinematography 62/100 in their films, across 6 reviewed titles; fans 68, detractors 58. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Han Lu Kuang work with?
People who share at least 2 of Han Lu Kuang's MovieCove titles, grouped by what they did on them; Kuang Ni shares the most, 7.
Directors
- Cheh ChangShared titles: All Men Are Brothers (1974), Da hai dao (1973), The Assassin (1967)See all 3 shared titles with Cheh Chang
- Wu MaShared titles: All Men Are Brothers (1974), Da hai dao (1973), Ji xiang du fang (1972), Swordswomen Three (1970)See all 4 shared titles with Wu Ma
- Hsueh-Li PaoShared titles: Qiao tan nu jiao wa (1977), Da hai dao (1973), Luo xie (1969)See all 3 shared titles with Hsueh-Li Pao
Writers
- Kuang NiShared titles: Qiao tan nu jiao wa (1977), The Spiritual Boxer (1975), All Men Are Brothers (1974), Da hai dao (1973), The Master of Kung Fu (1973), Ji xiang du fang (1972), The Assassin (1967)See all 7 shared titles with Kuang Ni
Actors
- Kuang Yu WangShared titles: All Men Are Brothers (1974), Da hai dao (1973), The Assassin (1967)See all 3 shared titles with Kuang Yu Wang
- Mei-Sheng FanShared titles: All Men Are Brothers (1974), Da hai dao (1973), Ji xiang du fang (1972)See all 3 shared titles with Mei-Sheng Fan
- Chung-Tien ShihShared titles: Qiao tan nu jiao wa (1977), The Spiritual Boxer (1975)See all 2 shared titles with Chung-Tien Shih
- Hoi-Sang LeeShared titles: Qiao tan nu jiao wa (1977), The Spiritual Boxer (1975)See all 2 shared titles with Hoi-Sang Lee
Composers and editors
- Hsing-Lung ChiangShared titles: Qiao tan nu jiao wa (1977), The Master of Kung Fu (1973), Ji xiang du fang (1972), Swordswomen Three (1970), Luo xie (1969), The Assassin (1967)See all 6 shared titles with Hsing-Lung Chiang
- Yung-Yu ChenShared titles: The Spiritual Boxer (1975), All Men Are Brothers (1974), Da hai dao (1973), The Master of Kung Fu (1973)See all 4 shared titles with Yung-Yu Chen
- Ting-Hung KuoShared titles: All Men Are Brothers (1974), Da hai dao (1973)See all 2 shared titles with Ting-Hung Kuo
- Fu-Ling WangShared titles: Swordswomen Three (1970), Luo xie (1969)See all 2 shared titles with Fu-Ling Wang
Producers
- Runme ShawShared titles: Qiao tan nu jiao wa (1977), The Spiritual Boxer (1975), All Men Are Brothers (1974), Da hai dao (1973), The Master of Kung Fu (1973), Swordswomen Three (1970)See all 6 shared titles with Runme Shaw
- Run Run ShawShared titles: Ji xiang du fang (1972), Luo xie (1969), The Assassin (1967)See all 3 shared titles with Run Run Shaw
