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Tony Wosk

Tony Wosk

Producer · Vancouver, British Columbia, Canada

Tony Wosk is a seasoned film and television producer with over two decades of experience in Canada's dynamic entertainment industry. As the head of Middle Child Films, Tony leads a production company renowned for creating compelling narrative feature films, scripted television, and documentaries. The company's portfolio includes critically acclaimed productions such as Levels (2024), The Swearing Jar (2022), Sorry For Your Loss (2018), Nose to Tail (2018), and The Samaritan (2012). Known for his ability to collaborate with both emerging and established talent, Tony has built a reputation for delivering engaging stories that resonate with global audiences. Based in Toronto and Vancouver, Tony's career spans a wide range of roles, including producing, executive producing, acquisitions, development, and distribution. He has held influential positions such as Executive in Charge of Production, TV Comedy at CBC Television, Director of Acquisitions & Development at Christal Films Distribution, Senior Film & Distribution Analyst at Telefilm Canada and Film Programmer at Just For Laughs.

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Biography from IMDb.

From
Vancouver, British Columbia, Canada
Works as
Producer
Titles
11 on MovieCove · 13 credits in all
TMDB popularity, last 156 days to Oct 27Down 8% in 30 days

What are Tony Wosk's films like?

Across their 11 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 11 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 7 · Stylized 4 · Heightened 0

Gentle 3 · Charged 6 · Intense 2

Steady 4 · Shifting 6 · Whiplash 1

Straight-faced 9 · Some laughs 2 · Funny 0

A split, not a type: Slow burn 6 · Even-paced 5 · Relentless 0

Casual 4 · Engaged 6 · Full focus 1

Resolved 3 · Open-ended 6 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
7
Melancholic
6
Contemplative
5
Dread
2
Bittersweet
3
Other
7

How their films end · 4 with a twist

  • Bittersweet6
  • Ambiguous5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Tony Wosk's films?

As of October 24, 2026, 8 of their 11 MovieCove titles stream on a subscription or free service, most on Tubi (6).

Subscription and free streaming for Tony Wosk's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 11 with a MovieCove page.

  • Strong Son(2026)

    Producer

    Midcredits score: 50th percentile of all films (provisional, few ratings)
  • Negative Capability (not in the MovieCove catalog yet)(2025)

    Executive Producer

  • Levels(2024)

    Producer

    Midcredits score: 20th percentile of all films
  • Wintertide(2023)

    Producer

    Midcredits score: 7th percentile of all films
  • The Swearing Jar(2022)

    Producer

    Midcredits score: 60th percentile of all films
  • Nose to Tail(2018)

    Executive Producer

    Midcredits score: 35th percentile of all films
  • The Perfect Match(2019)

    Producer

    Midcredits score: 6th percentile of all films (provisional, few ratings)
  • Sorry for Your Loss(2018)

    Producer

    Midcredits score: 16th percentile of all films
  • Room for Rent(2017)

    Executive Producer

    Midcredits score: 24th percentile of all films
  • Menorca(2016)

    Associate Producer

    Midcredits score: 6th percentile of all films
  • Lost Heroes (not in the MovieCove catalog yet)(2014)

    Producer

  • The Samaritan(2012)

    Producer

    Midcredits score: 20th percentile of all films
  • Midcredits score: 78th percentile of all films (provisional, few ratings)

Career shape

A full career of 10 titles from 2012 to 2025.

By role

only this rolewith another role
Producing10 of 10: 10 only producing, 0 with another role · typical Midcredits score20th

By decade

2010s5 · crew2020s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Tony Wosk's films land?

Their typical MovieCove film has a Midcredits score in the 20th percentile, the median of all 11; across their 11 films with reception data, the typical film sits in the 29th percentile for acclaim.

Acclaim · how much people like their films

29thpercentile
Typical film, the median of 11

Approval · how many liked their films

17thpercentile
Typical film, the median of 11

Reach · how many have seen their films

41stpercentile
Typical film, the median of 11

Midcredits score across 11 titles, by percentile

  • 75th and up1
  • 50th to 74th2
  • 25th to 49th1
  • Below 25th7

Shape of the crowd

6 of their 11 titles are Mixed.

  • Universally Panned2
  • Loved with Detractors1
  • Cult Classic1
  • Broadly Agreed1
  • Mixed6

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Tony Wosk work with?

People who share at least 2 of Tony Wosk's MovieCove titles, grouped by what they did on them; Kyle Bornais shares the most, 9.

Directors

Actors

Composers, cinematographers and editors

Producers