Taichi Itô
Producer · Born January 28, 1971 (55) · Tokyo, Japan
Taichi Itō was born on 28 January 1971 in Tokyo, Japan. He is a director and producer, known for Lords of Chaos (2018), Eko eko azaraku: R-page (2006) and Shark Skin Man and Peach Hip Girl (1998).
Biography from IMDb.
- January 28, 1971 (55)
- Tokyo, Japan
- Producer
- 13 on MovieCove · 24 credits in all
What are Taichi Itô's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 0 · Serious 2 · Dark 2
A split, not a type: Grounded 3 · Stylized 1 · Heightened 0
Gentle 0 · Charged 2 · Intense 2
Steady 4 · Shifting 0 · Whiplash 0
Straight-faced 4 · Some laughs 0 · Funny 0
Slow burn 3 · Even-paced 1 · Relentless 0
Casual 0 · Engaged 2 · Full focus 2
Easy watch 0 · Affecting 1 · Heavy 3
Resolved 0 · Open-ended 2 · Ambiguous 2
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Taichi Itô's films?
As of October 24, 2026, 7 of their 13 MovieCove titles stream on a subscription or free service, most on Netflix (3).
Subscription and free streaming for Taichi Itô's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
24 credits, 13 with a MovieCove page.
Children Untold (not in the MovieCove catalog yet)(2026)
Sai: Juchang ban(2025)
Midcredits score: 57th percentile of all films
Exit 8(2025)
Midcredits score: 63rd percentile of all films
Sai(2025)
Midcredits score: 57th percentile of all shows
1st Kiss(2025)
Midcredits score: 85th percentile of all films
April, Come She Will(2024)
Midcredits score: 58th percentile of all films
Monster(2023)
Midcredits score: 98th percentile of all films
Midcredits score: 68th percentile of all shows (provisional, few ratings)
A Hundred Flowers(2022)
Midcredits score: 66th percentile of all films
Heartbreak on a Plate (not in the MovieCove catalog yet)(2022)
Spring (not in the MovieCove catalog yet)(2021)
Under the Open Sky(2020)
Midcredits score: 86th percentile of all films
Kotaki Brothers and Shikuhakku (not in the MovieCove catalog yet)(2020)
His Lost Name (not in the MovieCove catalog yet)(2019)
If You Count to Five, It's Your Dream (not in the MovieCove catalog yet)(2014)
Judge (not in the MovieCove catalog yet)(2013)
Eko Eko Azarak: B-Page (not in the MovieCove catalog yet)(2006)
Eko Eko Azarak: R-Page (not in the MovieCove catalog yet)(2006)
Detective Office 5 (not in the MovieCove catalog yet)(2005)
Midcredits score: 72nd percentile of all films
Midcredits score: 62nd percentile of all films
Kazuo Umezu's Horror Theater: Death Make (not in the MovieCove catalog yet)(2005)
Hana & Alice(2004)
Midcredits score: 86th percentile of all films
Door III(1996)
Midcredits score: 42nd percentile of all films
Career shape
A full career of 24 titles from 1996 to 2026.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Taichi Itô's films land?
Their typical MovieCove film has a Midcredits score in the 66th percentile, the median of all 11; across a limited sample of 4 films with reception data, the typical film sits in the 68th percentile for acclaim.
- 75th and up4
- 50th to 74th8
- 25th to 49th1
Shape of the crowd
6 of their 13 titles are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser6
- Broadly Agreed1
- Mixed5
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Taichi Itô work with?
People who share at least 2 of Taichi Itô's MovieCove titles, grouped by what they did on them; Genki Kawamura shares the most, 4.
Directors
- Genki KawamuraShared titles: Exit 8 (2025), April, Come She Will (2024), Monster (2023), A Hundred Flowers (2022)See all 4 shared titles with Genki Kawamura
Writers
- Kentaro HiraseShared titles: Exit 8 (2025), A Hundred Flowers (2022)See all 2 shared titles with Kentaro Hirase
Actors
- Masami NagasawaShared titles: April, Come She Will (2024), A Hundred Flowers (2022)See all 2 shared titles with Masami Nagasawa
- Yumi KawaiShared titles: April, Come She Will (2024), A Hundred Flowers (2022)See all 2 shared titles with Yumi Kawai
Cinematographers and editors
- Keisuke ImamuraShared titles: Exit 8 (2025), April, Come She Will (2024), A Hundred Flowers (2022)See all 3 shared titles with Keisuke Imamura
- Sakura SeyaShared titles: Exit 8 (2025), April, Come She Will (2024), A Hundred Flowers (2022)See all 3 shared titles with Sakura Seya
Producers
- Kenji YamadaShared titles: Exit 8 (2025), April, Come She Will (2024), Monster (2023), A Hundred Flowers (2022)See all 4 shared titles with Kenji Yamada
- Minami IchikawaShared titles: Exit 8 (2025), Monster (2023)See all 2 shared titles with Minami Ichikawa
