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Hannah Olson

Hannah Olson

Producer and director

Works as
Producer and director
Titles
7 on MovieCove · 8 credits in all

What are Hannah Olson's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Power and Self.

Themes

share of theme weight
Power
27%
Self
23%
Society
19%
Morality
15%
Bonds
5%
Survival
5%
Ideas
5%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 2 · Dark 2

Grounded 4 · Stylized 0 · Heightened 0

A split, not a type: Gentle 2 · Charged 0 · Intense 2

Steady 3 · Shifting 1 · Whiplash 0

Straight-faced 4 · Some laughs 0 · Funny 0

Slow burn 2 · Even-paced 2 · Relentless 0

Casual 1 · Engaged 2 · Full focus 1

A split, not a type: Easy watch 1 · Affecting 1 · Heavy 2

Resolved 2 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Contemplative
5
Dread
2
Melancholic
2
Hopeful
1
Other
3

How their films end

  • Happy1
  • Bittersweet2
  • Tragic2
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Hannah Olson's films?

As of October 24, 2026, all 7 MovieCove titles stream on a subscription or free service, most on HBO Max (3).

Subscription and free streaming for Hannah Olson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 7 with a MovieCove page.

  • Titan: The OceanGate Disaster(2025)

    Executive Producer

    Midcredits score: 69th percentile of all films
  • Love Has Won: The Cult of Mother God(2023)

    Show 3 episodes · Director · Executive Producer

    Midcredits score: 62nd percentile of all shows
  • The Last Cruise(2021)

    Director · Producer

    Midcredits score: 54th percentile of all films
  • Baby God(2020)

    Director · Producer

    Midcredits score: 35th percentile of all films
  • Who Killed Malcolm X?(2019)

    Show Producer

    Midcredits score: 71st percentile of all shows
  • City of Joel(2018)

    Co-Producer

    Midcredits score: 69th percentile of all films
  • Into the Amazon (not in the MovieCove catalog yet)(2018)

    Producer

  • Finding Your Roots(2012)

    Show Director · Producer

    Midcredits score: 91st percentile of all shows

Career shape

A full career of 6 titles from 2018 to 2025.

By role

only this rolewith another role
Directing3 of 6: 0 only directing, 3 with another roleProducing6 of 6: 3 only producing, 3 with another role · typical Midcredits score62nd

6 titles, 3 with more than one role — producing and directing overlap on 3 of them.

By decade

2010s2 · crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Hannah Olson's films land?

Their typical MovieCove film has a Midcredits score in the 62nd percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 65th percentile for acclaim.

Acclaim · how much people like their films

65thpercentile
Typical film, the median of 4

Approval · how many liked their films

56thpercentile
Typical film, the median of 4

Reach · how many have seen their films

55thpercentile
Typical film, the median of 4

Midcredits score across 7 titles, by percentile

  • 75th and up1
  • 50th to 74th5
  • 25th to 49th1

Reviewers score the pacing 40/100 in their films, across 3 reviewed titles; fans 53, detractors 23. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Hannah Olson work with?

People who share at least 2 of Hannah Olson's MovieCove titles, grouped by what they did on them; Lizzie Presser shares the most, 3.

Directors

Writers

Cinematographers

Producers

Mixed roles