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MovieCove

Rupert Houseman

Editor

3 BAFTA Awards

Rupert Houseman is a film editor, known for Otto Baxter : Not a Fucking Horror Story (2023) Chernobyl: The Lost Tapes (2022), Gun No 6 (2018) 7/7: One Day in London (2013), Bedlam (2014), Life and Death Row(2014) The Detectives (2015), The Watchman (2016) and Unspeakable (2017). He has also narrated many television series including Life is Toff (2014), The Midwives (2012) and The Three Day Nanny (2013-2017).

Read more

Biography from IMDb.

Works as
Editor
Titles
8 on MovieCove · 16 credits in all

What are Rupert Houseman's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Morality and Society.

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category

Light 1 · Serious 0 · Dark 6

Grounded 7 · Stylized 0 · Heightened 0

Gentle 1 · Charged 0 · Intense 6

A split, not a type: Steady 4 · Shifting 2 · Whiplash 1

Straight-faced 6 · Some laughs 1 · Funny 0

Slow burn 2 · Even-paced 4 · Relentless 1

A split, not a type: Casual 1 · Engaged 2 · Full focus 4

Easy watch 1 · Affecting 2 · Heavy 4

Resolved 4 · Open-ended 2 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Dread
5
Melancholic
5
Contemplative
3
Cold
1
Other
3

How their films end · 1 with a twist

  • Happy1
  • Bittersweet4
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Rupert Houseman's films?

As of October 24, 2026, all 8 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Rupert Houseman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

16 credits, 8 with a MovieCove page.

  • Midcredits score: 83rd percentile of all films
  • King of the Apocalypse (not in the MovieCove catalog yet)(2025)

    Editor

  • Hell Jumper (not in the MovieCove catalog yet)(2024)

    Editor

  • Antidote(2024)

    Editor

    Midcredits score: 90th percentile of all films
  • Otto Baxter: Not a F***ing Horror Story (not in the MovieCove catalog yet)(2023)

    Editor

  • Midcredits score: 97th percentile of all films
  • The Riots 2011: One Week in August (not in the MovieCove catalog yet)(2021)

    Editor

  • Midcredits score: 51st percentile of all films
  • Midcredits score: 88th percentile of all films
  • Unspeakable(2017)

    Editor

    Midcredits score: 29th percentile of all films
  • Absolutely Fashion: Inside British Vogue (not in the MovieCove catalog yet)(2016)

    Show 2 episodes · Editor

  • The Watchman(2016)

    Editor

    Midcredits score: 51st percentile of all films
  • Life and Death Row (not in the MovieCove catalog yet)(2014)

    Show 3 episodes · Editor

  • Life and Death Row(2014)

    Show Editor

    Midcredits score: 95th percentile of all shows
  • Giles And Sue Live The Good Life (not in the MovieCove catalog yet)(2010)

    Show 1 episode · Editor

  • The Event: How Racist Are You? (not in the MovieCove catalog yet)(2009)

    Editor

Career shape

A full career of 13 titles from 2009 to 2026.

By role

only this rolewith another role
Editing13 of 13: 13 only editing, 0 with another role · typical Midcredits score88th

By decade

2000s1 · crew2010s3 · crew2020s9 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

3 BAFTA Awards from 8 major nominations, 2013–2025.

WinNomination
  1. 2025
    • BAFTA Award, nominated · Single Documentary
  2. 2023
    • BAFTA Award, won · Editing, Factual
    • BAFTA Award, nominated · Single Documentary
  3. 2019
    • BAFTA Award, won · Best Single Documentary
  4. 2016
    • BAFTA Award, nominated · Best Factual Series
  5. 2015
    • BAFTA Award, nominated · Editing (Factual)
  6. 2013
    • BAFTA Award, won
    • BAFTA Award, nominated · Best Editing: Factual

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Rupert Houseman's films land?

Their typical MovieCove film has a Midcredits score in the 83rd percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 82nd percentile for acclaim.

Acclaim · how much people like their films

82ndpercentile
Typical film, the median of 7

Approval · how many liked their films

81stpercentile
Typical film, the median of 7

Reach · how many have seen their films

64thpercentile
Typical film, the median of 7

Midcredits score across 8 titles, by percentile

  • 75th and up5
  • 50th to 74th2
  • 25th to 49th1

Shape of the crowd

3 of their 8 titles are Crowd Pleasers.

  • Universally Loved2
  • Crowd Pleaser3
  • Broadly Agreed1
  • Mixed2

Reviewers score the pacing 47/100 in their films, across 5 reviewed titles; fans 49, detractors 30. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Rupert Houseman work with?

People who share at least 2 of Rupert Houseman's MovieCove titles, grouped by what they did on them; James Jones shares the most, 3.

Directors

Composers and cinematographers

Producers