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MovieCove

Laura Pino

Producer

Works as
Producer
Titles
3 on MovieCove · 9 credits in all
TMDB popularity, last 39 days to Oct 28Up 13% in 30 days

What are Laura Pino's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Themes

share of theme weight
Morality
27%
Bonds
25%
Society
18%
Survival
17%
Power
13%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 1 · Dark 2

Grounded 1 · Stylized 2 · Heightened 0

Gentle 0 · Charged 2 · Intense 1

Steady 2 · Shifting 1 · Whiplash 0

Straight-faced 3 · Some laughs 0 · Funny 0

Slow burn 3 · Even-paced 0 · Relentless 0

Casual 1 · Engaged 1 · Full focus 1

A split, not a type: Easy watch 0 · Affecting 2 · Heavy 1

Resolved 1 · Open-ended 1 · Ambiguous 1

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Melancholic
2
Contemplative
2
Dread
1
Tense
1
Absurd
1
Other
2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Laura Pino's films?

As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Laura Pino's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 3 with a MovieCove page.

  • Motel Acqua (not in the MovieCove catalog yet)(2018)

    Line Producer

  • Tiempo de lluvia(2018)

    Producer

    Midcredits score: 70th percentile of all films (provisional, few ratings)
  • The Night Guard(2016)

    Producer

    Midcredits score: 70th percentile of all films
  • Boys on Film 14: Worlds Collide (not in the MovieCove catalog yet)(2016)

    Producer

  • Open Cage (not in the MovieCove catalog yet)(2014)

    Associate Producer

  • Perpetual Sadness(2014)

    Producer

    Midcredits score: 75th percentile of all films
  • A World for Raúl (not in the MovieCove catalog yet)(2012)

    Producer

  • In Still Waters (not in the MovieCove catalog yet)(2011)

    Producer

  • La caja de Yamasaki (not in the MovieCove catalog yet)(2006)

    Producer

Career shape

A full career of 7 titles from 2006 to 2018.

By role

only this rolewith another role
Producing7 of 7: 7 only producing, 0 with another role

By decade

2000s1 · crew2010s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Laura Pino's films land?

Their typical MovieCove film has a Midcredits score in the 70th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 71st percentile for acclaim.

Acclaim · how much people like their films

71stpercentile
Typical film, the median of 3

Approval · how many liked their films

74thpercentile
Typical film, the median of 3

Reach · how many have seen their films

35thpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 75th and up1
  • 50th to 74th2

Shape of the crowd

None of their 3 titles divides audiences: 3 are Crowd Pleasers.

  • Crowd Pleaser3

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Laura Pino work with?

People who share at least 2 of Laura Pino's MovieCove titles; Noé Hernández shares the most, 3.