Liz F. Mason
- Producer
- 17 on MovieCove
What are Liz F. Mason's films like?
Across their 17 MovieCove titles with a thematic analysis, their films lean Survival and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 16
Light 2 · Serious 7 · Dark 8
Grounded 12 · Stylized 4 · Heightened 1
Gentle 4 · Charged 9 · Intense 4
Steady 14 · Shifting 3 · Whiplash 0
Straight-faced 16 · Some laughs 0 · Funny 1
Slow burn 14 · Even-paced 3 · Relentless 0
Casual 8 · Engaged 8 · Full focus 1
A split, not a type: Easy watch 4 · Affecting 5 · Heavy 8
Resolved 14 · Open-ended 3 · Ambiguous 0
Moods and endings
- Happy2
- Bittersweet11
- Ambiguous4
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Liz F. Mason's films?
As of October 24, 2026, all 17 MovieCove titles stream on a subscription or free service, most on Netflix (16).
- Cuba and the Cameraman (2017) · producer
- Beasts of No Nation (2015) · producer
- Long Shot (2017) · producer
- City of Joy (2016) · producer
- The Bleeding Edge (2018) · producer
- Shirkers (2018) · producer
- They'll Love Me When I'm Dead (2018) · producer
- End Game (2018) · producer
- Feminists: What Were They Thinking? (2018) · producer
- One of Us (2017) · producer
- Zion (2018) · producer
- Ram Dass, Going Home (2017) · producer
- +4 more
Subscription and free streaming for Liz F. Mason's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
17 credits, 17 with a MovieCove page.
End Game(2018)
Midcredits score: 86th percentile of all films
Midcredits score: 86th percentile of all films
Recovery Boys(2018)
Midcredits score: 69th percentile of all films
Shirkers(2018)
Midcredits score: 92nd percentile of all films
The Bleeding Edge(2018)
Midcredits score: 92nd percentile of all films
The Trader(2018)
Midcredits score: 70th percentile of all films
Midcredits score: 92nd percentile of all films
Zion(2018)
Midcredits score: 82nd percentile of all films
Cuba and the Cameraman(2017)
Midcredits score: 99th percentile of all films
Heroin(e)(2017)
Midcredits score: 75th percentile of all films
Long Shot(2017)
Midcredits score: 93rd percentile of all films
One of Us(2017)
Midcredits score: 84th percentile of all films
Ram Dass, Going Home(2017)
Midcredits score: 79th percentile of all films
Strong Island(2017)
Midcredits score: 62nd percentile of all films
City of Joy(2016)
Midcredits score: 93rd percentile of all films
Beasts of No Nation(2015)
Midcredits score: 97th percentile of all films
Shrek the Musical(2013)
Midcredits score: 76th percentile of all films
Career shape
Across their 17 MovieCove titles from 2013 to 2018.
Biggest box office
Beasts of No Nation (2015)
Highest rated
Cuba and the Cameraman (2017)
Most popular right now
Beasts of No Nation (2015)
Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.
How do Liz F. Mason's films land?
Their typical MovieCove film has a Midcredits score in the 86th percentile, the median of all 17; across their 17 films with reception data, the typical film sits in the 85th percentile for acclaim.
- 75th and up14
- 50th to 74th3
Shape of the crowd
11 of their 17 titles are Crowd Pleasers.
- Universally Loved3
- Crowd Pleaser11
- Mixed3
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Liz F. Mason work with?
People who share at least 2 of Liz F. Mason's MovieCove titles, grouped by what they did on them; Lisa Nishimura shares the most, 11.
Directors
- Elaine McMillion SheldonShared titles: Recovery Boys (2018), Heroin(e) (2017)See all 2 shared titles with Elaine McMillion Sheldon
Composers and cinematographers
- Curren SheldonShared titles: Recovery Boys (2018), Heroin(e) (2017)See all 2 shared titles with Curren Sheldon
- Daniel HartShared titles: Recovery Boys (2018), Heroin(e) (2017)See all 2 shared titles with Daniel Hart
- T. GriffinShared titles: End Game (2018), One of Us (2017)See all 2 shared titles with T. Griffin
Producers
- Lisa NishimuraShared titles: End Game (2018), Recovery Boys (2018), Shirkers (2018), The Bleeding Edge (2018), Zion (2018), Cuba and the Cameraman (2017), Heroin(e) (2017), Long Shot (2017), One of Us (2017), Strong Island (2017), City of Joy (2016)See all 11 shared titles with Lisa Nishimura
- Jason Spingarn-KoffShared titles: End Game (2018), Recovery Boys (2018), Shirkers (2018), The Bleeding Edge (2018), Zion (2018), Cuba and the Cameraman (2017), Heroin(e) (2017), Long Shot (2017), One of Us (2017), Strong Island (2017)See all 10 shared titles with Jason Spingarn-Koff
- Zana LawrenceShared titles: End Game (2018), Recovery Boys (2018), Heroin(e) (2017), City of Joy (2016)See all 4 shared titles with Zana Lawrence
- Ben CotnerShared titles: The Bleeding Edge (2018), One of Us (2017)See all 2 shared titles with Ben Cotner
