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Michio Mamiya

Composer · Born June 29, 1929 (97) · Asahikawa, Hokkaido, Japan

Michio Mamiya is a Japanese composer.

Biography from TMDB.

Born
June 29, 1929 (97)
From
Asahikawa, Hokkaido, Japan
Works as
Composer
Titles
4 on MovieCove · 20 credits in all

What are Michio Mamiya's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Society and Survival.

Themes

share of theme weight
Society
29%
Survival
19%
Ideas
19%
Bonds
13%
Morality
13%
Self
7%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 3 · Serious 0 · Dark 1

Grounded 1 · Stylized 3 · Heightened 0

Gentle 1 · Charged 2 · Intense 1

Steady 3 · Shifting 1 · Whiplash 0

Straight-faced 3 · Some laughs 1 · Funny 0

Slow burn 2 · Even-paced 2 · Relentless 0

Casual 2 · Engaged 2 · Full focus 0

A split, not a type: Easy watch 2 · Affecting 1 · Heavy 1

Resolved 3 · Open-ended 1 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Hopeful
3
Warm
2
Melancholic
2
Dread
1
Contemplative
1
Other
3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Michio Mamiya's films?

As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Michio Mamiya's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

20 credits, 4 with a MovieCove page.

  • Midcredits score: 85th percentile of all films
  • Midcredits score: 99th percentile of all films
  • Gauche the Cellist(1982)

    Composer

    Midcredits score: 82nd percentile of all films
  • Uneasy Questions (not in the MovieCove catalog yet)(1979)

    Composer

  • Hands (not in the MovieCove catalog yet)(1975)

    Composer

  • 助け合いの歴史 生命保険物語 (not in the MovieCove catalog yet)(1973)

    Composer

  • A Woman Called En (not in the MovieCove catalog yet)(1971)

    Composer

  • Japan World Expo (not in the MovieCove catalog yet)(1971)

    Composer

  • River Without a Bridge Part 2 (not in the MovieCove catalog yet)(1970)

    Composer

  • River Without a Bridge (not in the MovieCove catalog yet)(1969)

    Composer

  • Midcredits score: 65th percentile of all films
  • Ryoma ga Yuku (not in the MovieCove catalog yet)(1968)

    Show 52 episodes · Composer

  • Nippon Express Carries the Olympics to Tokyo (not in the MovieCove catalog yet)(1964)

    Composer

  • 美しい国土―その生いたち― (not in the MovieCove catalog yet)(1964)

    Composer

  • Farm Girls (not in the MovieCove catalog yet)(1962)

    Composer

  • Kōkōsei to jokyōshi hijō no seishun (not in the MovieCove catalog yet)(1962)

    Composer

  • 石ころの唄 (not in the MovieCove catalog yet)(1962)

    Composer

  • Hidden Fangs (not in the MovieCove catalog yet)(1961)

    Composer

  • Love Letter (not in the MovieCove catalog yet)(1959)

    Composer

  • The New Steel (not in the MovieCove catalog yet)(1956)

    Composer

Career shape

A full career of 20 titles from 1956 to 2026.

By role

only this rolewith another role
Music20 of 20: 20 only music, 0 with another role

By decade

1950s2 · crew1960s9 · crew1970s6 · crew1980s2 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Michio Mamiya's films land?

Their typical MovieCove film has a Midcredits score in the 84th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 85th percentile for acclaim.

Acclaim · how much people like their films

85thpercentile
Typical film, the median of 4

Approval · how many liked their films

79thpercentile
Typical film, the median of 4

Reach · how many have seen their films

69thpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 75th and up3
  • 50th to 74th1

Reviewers score the sound and music 78/100 in their films, across 3 reviewed titles; fans 82, detractors 55. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Michio Mamiya work with?

People who share at least 2 of Michio Mamiya's MovieCove titles; Isao Takahata shares the most, 4.