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Jim Frazee

Producer

Works as
Producer
Titles
3 on MovieCove

What are Jim Frazee's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Morality.

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 2 · Stylized 1 · Heightened 0

Gentle 1 · Charged 2 · Intense 0

Steady 1 · Shifting 1 · Whiplash 1

Straight-faced 1 · Some laughs 1 · Funny 1

Slow burn 0 · Even-paced 2 · Relentless 1

Casual 1 · Engaged 2 · Full focus 0

A split, not a type: Easy watch 1 · Affecting 0 · Heavy 2

Resolved 1 · Open-ended 1 · Ambiguous 1

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
2
Absurd
2
Bittersweet
2
Contemplative
1
Melancholic
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jim Frazee's films?

As of October 24, 2026, none of Jim Frazee's 3 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Jim Frazee's titles on MovieCove; rent and buy are not counted.

Filmography

3 credits, 3 with a MovieCove page.

  • Fatso(2008)

    Producer

    Midcredits score: 31st percentile of all films
  • Troubled Water(2008)

    Producer

    Midcredits score: 94th percentile of all films
  • O'Horten(2007)

    Producer

    Midcredits score: 72nd percentile of all films

Career shape

Across a limited sample of 3 MovieCove titles from 2007 to 2008.

By role

only this rolewith another role
Producing3 of 3: 3 only producing, 0 with another role

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Jim Frazee's films land?

Their typical MovieCove film has a Midcredits score in the 72nd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 72nd percentile for acclaim.

Acclaim · how much people like their films

72ndpercentile
Typical film, the median of 3

Approval · how many liked their films

70thpercentile
Typical film, the median of 3

Reach · how many have seen their films

72ndpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 75th and up1
  • 50th to 74th1
  • 25th to 49th1

Shape of the crowd

None of their 3 titles divides audiences: 1 is Universally Loved.

  • Universally Loved1
  • Crowd Pleaser1
  • Mixed1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Jim Frazee work with?

People who share at least 2 of Jim Frazee's MovieCove titles, grouped by what they did on them; Mads Peter Ole Olsen shares the most, 3.

Cinematographers

Producers