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Jonathan Schwartz

Jonathan Schwartz

Producer · Born September 12, 1982 (44) · Toronto, Ontario, Canada

Producer, Jonathan Schwartz was born in Toronto, Ontario, where he has been working in the film industry for 26 years since starting at the age of 8 as a child actor on hit television series Goosebumps. Returning from a Baseball scholarship at Northeastern Oklahoma A&M, Jonathan graduated from Westmount Collegiate Institute in Thornhill, Ontario. From there Jonathan took on the role of overseeing television movies for Entertainment One Jonathan has since moved to Vancouver, British Columbia, where he has proven to be a front runner in feature films and television shows including, Intruder (2019), Loudermilk (2016-present), You Me Her (2016 - 2019) and Hit the Road (2017). Jonathan's extensive film career involves working for AT&T, Audience Network, NBC, Disney, CBS, The Weinstein Company and Dreamworks TV on their hit television series 'Falling Skies' for the TNT Network.

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Biography from TMDB.

Born
September 12, 1982 (44)
From
Toronto, Ontario, Canada
Works as
Producer
Titles
30 on MovieCove · 35 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 64 days to Oct 27Up 51% in 30 days

What are Jonathan Schwartz's films like?

Across their 27 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Comedy12 titlesTypical Midcredits score: 46th percentile, at or above their average across these genres
: browse their Comedy movies
Drama9 titlesTypical Midcredits score: 50th percentile, at or above their average across these genres
: browse their Drama movies
Action2 titlesTypical Midcredits score: 23rd percentile
: browse their Action movies
Crime2 titlesTypical Midcredits score: 53rd percentile, at or above their average across these genres
: browse their Crime movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
45%
Self
23%
Society
15%
Survival
8%
Morality
6%
Ideas
2%
Power
2%
Romantic love12 titles, browse their movies with this themeFamily bonds10 titles, browse their movies with this themeSelf-worth8 titles, browse their movies with this themeCommunity6 titles, browse their movies with this themeFriendship6 titles, browse their movies with this themeDeception3 titles, browse their movies with this themeIdentity2 titles, browse their movies with this themeSurvival2 titles, browse their movies with this theme

What they feel like to watch

their average across 27 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 19 · Serious 6 · Dark 2

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 23 · Stylized 4 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 16 · Charged 8 · Intense 3

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 23 · Shifting 4 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 8 · Some laughs 16 · Funny 3

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 19 · Even-paced 5 · Relentless 3

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 21 · Engaged 3 · Full focus 3

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 23 · Open-ended 3 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Warm
15
Hopeful
10
Tense
9
Joyful
9
Romantic
8
Other
20

How their films linger

Feel-good19 titles, browse their movies with this aftertasteHopeful12 titles, browse their movies with this aftertasteFun8 titles, browse their movies with this aftertasteCozy4 titles, browse their movies with this aftertasteThought-provoking3 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertaste

How their films end · 6 with a twist

  • Happy20
  • Bittersweet5
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jonathan Schwartz's films?

As of October 24, 2026, 28 of their 30 MovieCove titles stream on a subscription or free service, most on Tubi (19).

Also on these channels

Subscription and free streaming for Jonathan Schwartz's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

35 credits, 30 with a MovieCove page.

  • Rough Draft (not in the MovieCove catalog yet)(2026)

    Producer

  • A Statement(2026)

    Producer

    Midcredits score: 75th percentile of all films

  • Nickel Boys(2024)

    Co-Producer

    Midcredits score: 81st percentile of all films

  • Foe(2023)

    Co-Producer

    Midcredits score: 27th percentile of all films

  • The Intruder(2019)

    Producer

    Midcredits score: 26th percentile of all films

  • Christmas Princess(2017)

    Producer

    Midcredits score: 41st percentile of all films

  • Loudermilk (not in the MovieCove catalog yet)(2017)

    Show 30 episodes · Producer

  • Murder, She Baked: Just Desserts(2017)

    Producer

    Midcredits score: 73rd percentile of all films

  • My Favorite Wedding(2017)

    Producer

    Midcredits score: 46th percentile of all films

  • Love in Paradise(2016)

    Producer

    Midcredits score: 66th percentile of all films

  • Season's Greetings(2016)

    Producer

    Midcredits score: 46th percentile of all films

  • Love on the Air(2015)

    Producer

    Midcredits score: 76th percentile of all films

  • One Christmas Wish(2015)

    Producer

    Midcredits score: 64th percentile of all films

  • So You Said Yes(2015)

    Producer

    Midcredits score: 47th percentile of all films

  • Apple Mortgage Cake(2014)

    Producer

    Midcredits score: 56th percentile of all films

  • Dear Viola(2014)

    Supervising Producer

    Midcredits score: 50th percentile of all films

  • The Wedding Pact(2014)

    Executive Producer

    Midcredits score: 6th percentile of all films

  • Mom's Day Away(2014)

    Producer

    Midcredits score: 36th percentile of all films

  • My Gal Sunday(2014)

    Producer

    Midcredits score: 32nd percentile of all films

  • Rocky Road(2014)

    Producer

    Midcredits score: 24th percentile of all films

  • The Memory Book(2014)

    Producer

    Midcredits score: 71st percentile of all films

  • Guess Who's Coming to Christmas(2013)

    Producer

    Midcredits score: 39th percentile of all films

  • The Carpenter's Miracle(2013)

    Producer

    Midcredits score: 26th percentile of all films

  • The Mystery Cruise(2013)

    Producer

    Midcredits score: 27th percentile of all films

  • Tom Dick & Harriet(2013)

    Producer

    Midcredits score: 32nd percentile of all films

  • Window Wonderland(2013)

    Producer

    Midcredits score: 67th percentile of all films

  • Breaking Wind(2012)

    Executive Producer

    Midcredits score: 1st percentile of all films

  • Hijacked(2012)

    Producer

    Midcredits score: 5th percentile of all films

  • Frostbite (not in the MovieCove catalog yet)(2005)

    Director

  • Deep Blue Sea(1999)

    Executive Producer

    Midcredits score: 40th percentile of all films

  • Goosebumps: Let's Get Invisible! (not in the MovieCove catalog yet)(1996)

    as Max Thompson

  • Goosebumps(1995)

    Show 1 episode · as Max Thompson

    Midcredits score: 81st percentile of all shows

  • The Magic School Bus(1994)

    Show 1 episode · as Caller (voice)

    Midcredits score: 82nd percentile of all shows

  • Sing! Sesame Street Remembers Joe Raposo and His Music(1990)

    Thanks

    Midcredits score: 73rd percentile of all films (provisional, few ratings)

  • Buzzkill (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 18 titles, 17 of them dated from 1990 to 2026.

Biggest box office

Deep Blue Sea (1999)

$165M worldwide

Highest rated

Nickel Boys (2024)

Midcredits 81st

Most popular right now

Deep Blue Sea (1999)

By role

only this rolewith another role
Acting3 of 18: 3 only acting, 0 with another roleDirecting1 of 18: 1 only directing, 0 with another roleProducing13 of 18: 13 only producing, 0 with another role · typical Midcredits score41stOther crew1 of 18: 1 only other crew, 0 with another role

By decade

1990s5 · 3 acting · 2 crew2000s1 · crew2010s7 · crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Jonathan Schwartz's films land?

Their typical MovieCove film has a Midcredits score in the 44th percentile, the median of all 28; across their 27 films with reception data, the typical film sits in the 43rd percentile for acclaim.

Acclaim · how much people like their films

43rdpercentile
Typical film, the median of 27

Approval · how many liked their films

41stpercentile
Typical film, the median of 27

Reach · how many have seen their films

57thpercentile
Typical film, the median of 27

Midcredits score across 30 titles, by percentile

  • 75th and up5
  • 50th to 74th8
  • 25th to 49th13
  • Below 25th4

Shape of the crowd

17 of their 30 titles are Mixed.

  • Divisive2
  • Crowd Pleaser9
  • Broadly Agreed2
  • Mixed17

Most divisive · producer

A Statement (2026)

91st percentile spread · 22% rated it 4 or lower

Most loved · producer

Nickel Boys (2024)

Midcredits 81st · 64% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Jonathan Schwartz's work okay for kids?

Across up to 5 MovieCove titles with content scores, sex & nudity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore4 titlesmedian 62 · intenseMedian of all films: 44
Sex & Nudity5 titles19–51 · median 42 · moderateheavier than most filmsMedian of all films: 32
Profanity4 titlesmedian 59 · moderateMedian of all films: 36
Alcohol & Drugs4 titlesmedian 36 · moderateMedian of all films: 33
Frightening / Intense4 titlesmedian 70 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Jonathan Schwartz work with?

People who share at least 2 of Jonathan Schwartz's MovieCove titles, grouped by what they did on them; Ira Pincus shares the most, 17.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers