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Anna Godas

Anna Godas

Producer

Anna is Dogwoof's CEO. She has steered the company from a small UK indie film distributor to a leading global brand in the field of documentary. Anna was directly responsible for the creation of Dogwoof's international sales arm, as well as the creation of Dogwoof's fund T-Dog Productions. Anna is now focusing on growing Dogwoof's production and development side, focusing on feature docs, doc series, remake rights, podcast and shorter content. Her mission is to create a fully integrated true stories mini-studio. Anna was born in Barcelona, Spain. She has an Executive MBA, and MAs in film production and screenwriting, and has two daughters who she is proud to be a strong role model for.

Read more

Biography from IMDb.

Works as
Producer
Titles
21 on MovieCove

What are Anna Godas' films like?

Across their 21 MovieCove titles with a thematic analysis, their films lean Self and Ideas.

What they feel like to watch

their average across 21 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 17 · Stylized 4 · Heightened 0

Gentle 7 · Charged 10 · Intense 4

Steady 15 · Shifting 5 · Whiplash 1

Straight-faced 18 · Some laughs 3 · Funny 0

Slow burn 15 · Even-paced 6 · Relentless 0

A split, not a type: Casual 9 · Engaged 8 · Full focus 4

A split, not a type: Easy watch 8 · Affecting 6 · Heavy 7

A split, not a type: Resolved 11 · Open-ended 5 · Ambiguous 5

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Contemplative
17
Hopeful
8
Melancholic
9
Dread
4
Warm
3
Other
17

How their films end

  • Happy2
  • Bittersweet8
  • Tragic3
  • Ambiguous7
  • Other1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Anna Godas' films?

As of October 24, 2026, 14 of their 21 MovieCove titles stream on a subscription or free service, most on Tubi (6).

Subscription and free streaming for Anna Godas' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

21 credits, 21 with a MovieCove page.

  • Midcredits score: 83rd percentile of all films
  • Deeper(2025)

    Producer

    Midcredits score: 77th percentile of all films
  • Eternal You(2024)

    Producer

    Midcredits score: 55th percentile of all films
  • Every Little Thing(2024)

    Producer

    Midcredits score: 86th percentile of all films
  • Copa 71(2023)

    Producer

    Midcredits score: 92nd percentile of all films
  • Swan Song(2023)

    Producer

    Midcredits score: 78th percentile of all films
  • Lynch/Oz(2022)

    Producer

    Midcredits score: 74th percentile of all films
  • McEnroe(2022)

    Producer

    Midcredits score: 76th percentile of all films
  • Citizen Ashe(2021)

    Producer

    Midcredits score: 76th percentile of all films
  • Midcredits score: 92nd percentile of all films
  • River(2021)

    Producer

    Midcredits score: 78th percentile of all films
  • The Lost Leonardo(2021)

    Producer

    Midcredits score: 94th percentile of all films
  • Midcredits score: 76th percentile of all films
  • Halston(2019)

    Producer

    Midcredits score: 75th percentile of all films
  • Midcredits score: 92nd percentile of all films
  • Maiden(2018)

    Producer

    Midcredits score: 97th percentile of all films
  • The Ice King(2018)

    Producer

    Midcredits score: 79th percentile of all films
  • Midcredits score: 54th percentile of all films
  • The Family I Had(2017)

    Producer

    Midcredits score: 60th percentile of all films
  • Burden(2016)

    Producer

    Midcredits score: 77th percentile of all films
  • Into the Inferno(2016)

    Producer

    Midcredits score: 89th percentile of all films

Career shape

Across their 21 MovieCove titles from 2016 to 2026.

By role

only this rolewith another role
Producing21 of 21: 21 only producing, 0 with another role · typical Midcredits score78th

By decade

2010s8 · crew2020s13 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Anna Godas' films land?

Their typical MovieCove film has a Midcredits score in the 78th percentile, the median of all 21; across their 21 films with reception data, the typical film sits in the 77th percentile for acclaim.

Acclaim · how much people like their films

77thpercentile
Typical film, the median of 21

Approval · how many liked their films

79thpercentile
Typical film, the median of 21

Reach · how many have seen their films

59thpercentile
Typical film, the median of 21

Midcredits score across 21 titles, by percentile

  • 75th and up17
  • 50th to 74th4

Shape of the crowd

17 of their 21 titles are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser17
  • Broadly Agreed1
  • Mixed2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Anna Godas work with?

People who share at least 2 of Anna Godas' MovieCove titles, grouped by what they did on them; Oli Harbottle shares the most, 17.

Directors

Actors

Composers, cinematographers and editors

Producers