Vincent Oresman
- Editor
- 15 on MovieCove
What are Vincent Oresman's films like?
Across their 15 MovieCove titles with a thematic analysis, their films lean Morality and Society.
Themes
What they feel like to watch
A split, not a type: Ironic 1 · Wry 0 · Earnest 2
Light 0 · Serious 3 · Dark 0
Grounded 1 · Stylized 2 · Heightened 0
Gentle 1 · Charged 2 · Intense 0
A split, not a type: Steady 1 · Shifting 0 · Whiplash 2
Straight-faced 1 · Some laughs 2 · Funny 0
Slow burn 2 · Even-paced 1 · Relentless 0
Casual 3 · Engaged 0 · Full focus 0
Easy watch 0 · Affecting 3 · Heavy 0
Resolved 2 · Open-ended 1 · Ambiguous 0
Moods and endings
- Bittersweet5
- Ambiguous10
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Vincent Oresman's films?
As of October 24, 2026, 13 of their 15 MovieCove titles stream on a subscription or free service, most on HBO Max (4).
Subscription and free streaming for Vincent Oresman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
15 credits, 15 with a MovieCove page.
Monsters of God(2026)
Midcredits score: 48th percentile of all shows
The Hillside Strangler(2026)
Midcredits score: 23rd percentile of all shows
Billionaire Boys Club(2025)
Midcredits score: 23rd percentile of all shows (provisional, few ratings)
Midcredits score: 52nd percentile of all shows
Midcredits score: 32nd percentile of all shows
Indian Matchmaking(2020)
Midcredits score: 19th percentile of all shows
We're Here(2020)
Midcredits score: 66th percentile of all shows
Living Undocumented(2019)
Midcredits score: 48th percentile of all shows
Cults and Extreme Belief(2018)
Midcredits score: 66th percentile of all shows
American Boyband(2017)
Midcredits score: 71st percentile of all shows
Vice Does America(2016)
Midcredits score: 5th percentile of all shows (provisional, few ratings)
Caught(2015)
Midcredits score: 18th percentile of all films
Dial a Prayer(2015)
Midcredits score: 25th percentile of all films
Lethal Seduction(2015)
Midcredits score: 11th percentile of all films
The Runner-Up(2015)
Midcredits score: 85th percentile of all shows (provisional, few ratings)
Career shape
Across their 15 MovieCove titles from 2015 to 2026.
How do Vincent Oresman's films land?
Their typical MovieCove film has a Midcredits score in the 18th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 21st percentile for acclaim.
- 75th and up1
- 50th to 74th4
- 25th to 49th4
- Below 25th6
Shape of the crowd
9 of their 15 titles are Mixed.
- Loved with Detractors1
- Divisive1
- Cult Classic2
- Crowd Pleaser2
- Mixed9
Reviewers score the pacing 39/100 in their films, across 3 reviewed titles; fans 53, detractors 22. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Vincent Oresman work with?
People who share at least 2 of Vincent Oresman's MovieCove titles, grouped by what they did on them; Aaron Saidman shares the most, 7.
Directors
- Peter LoGrecoShared titles: The Hillside Strangler (2026), We're Here (2020)See all 2 shared titles with Peter LoGreco
- Maggie KileyShared titles: Caught (2015), Dial a Prayer (2015)See all 2 shared titles with Maggie Kiley
Cinematographers and editors
- Kevin HibbardShared titles: United States of Scandal with Jake Tapper (2024), Indian Matchmaking (2020), We're Here (2020), Living Undocumented (2019), Cults and Extreme Belief (2018)See all 5 shared titles with Kevin Hibbard
- Ed GreeneShared titles: United States of Scandal with Jake Tapper (2024), Living Undocumented (2019), Cults and Extreme Belief (2018)See all 3 shared titles with Ed Greene
- Martin BiehnShared titles: We're Here (2020), American Boyband (2017), Vice Does America (2016)See all 3 shared titles with Martin Biehn
- Bryan DonnellShared titles: The Hillside Strangler (2026), We're Here (2020)See all 2 shared titles with Bryan Donnell
Producers
- Aaron SaidmanShared titles: The Hillside Strangler (2026), The Wonderland Massacre & the Secret History of Hollywood (2024), United States of Scandal with Jake Tapper (2024), Indian Matchmaking (2020), We're Here (2020), Living Undocumented (2019), Cults and Extreme Belief (2018)See all 7 shared titles with Aaron Saidman
- Eli HolzmanShared titles: The Hillside Strangler (2026), The Wonderland Massacre & the Secret History of Hollywood (2024), United States of Scandal with Jake Tapper (2024), Indian Matchmaking (2020), We're Here (2020), Living Undocumented (2019), Cults and Extreme Belief (2018)See all 7 shared titles with Eli Holzman
- Erin GambleShared titles: We're Here (2020), Living Undocumented (2019), Cults and Extreme Belief (2018), Vice Does America (2016)See all 4 shared titles with Erin Gamble
- Sterling FrymerShared titles: The Hillside Strangler (2026), Indian Matchmaking (2020), We're Here (2020)See all 3 shared titles with Sterling Frymer