Cristina Laguna

What are Cristina Laguna's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Cristina Laguna's films?

As of October 24, 2026, 9 of their 11 MovieCove titles stream on a subscription or free service, most on Netflix (6).

• Netflix6 titles, browse their movies on this service
  • Cell 211 (2009) · assistant editor
  • The Chalk Line (2022) · editor
  • Breathless (2024) · editor
  • Holy Family (2022) · editor
  • Snakes and Ladders (2025) · editor
  • HollyBlood (2022) · editor
• AMC+1 title, browse their movies on this service
  • Cell 211 (2009) · assistant editor
• Prime Video1 title, browse their movies on this service
  • Mañana es hoy (2022) · editor
• Tubi1 title, browse their movies on this service
  • Cell 211 (2009) · assistant editor · free

Subscription and free streaming for Cristina Laguna's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

20 credits, 11 with a MovieCove page.

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  Barren Land(2025)

  Editor

  Midcredits score: 47th percentile of all films47^th
• 

  Snakes and Ladders(2025)

  Show Editor

  Midcredits score: 28th percentile of all shows28^th
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  Breathless(2024)

  Show Editor

  Midcredits score: 45th percentile of all shows45^th
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  The Fortress (not in the MovieCove catalog yet)(2023)

  Lead Editor
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  Mañana es hoy(2022)

  Editor

  Midcredits score: 27th percentile of all films27^th
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  The Chalk Line(2022)

  Editor

  Midcredits score: 52nd percentile of all films52^nd
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  HollyBlood(2022)

  Editor

  Midcredits score: 7th percentile of all films7^th
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  Holy Family(2022)

  Show Editor

  Midcredits score: 34th percentile of all shows34^th
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  The Curse of the Handsome Man(2020)

  Editor

  Midcredits score: 11th percentile of all films11^th
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  Mujeres, de Coque Malla (not in the MovieCove catalog yet)(2019)

  Editor
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  You Shall Not Sleep(2018)

  Assistant Editor

  Midcredits score: 19th percentile of all films19^th
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  Sleepover (not in the MovieCove catalog yet)(2016)

  Editor
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  De un tiempo libre a esta parte (not in the MovieCove catalog yet)(2015)

  Editor
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  Kamikaze (not in the MovieCove catalog yet)(2014)

  Assistant Editor
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  Inside Love (not in the MovieCove catalog yet)(2013)

  Editorial Production Assistant
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  Ilusión(2013)

  Editor

  Midcredits score: 66th percentile of all films66^th
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  Horizon (not in the MovieCove catalog yet)(2012)

  Editor
• 

  Cell 211(2009)

  Assistant Editor

  Midcredits score: 94th percentile of all films94^th
• Community Property (not in the MovieCove catalog yet)(2008)

  Assistant Director
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  The Same (not in the MovieCove catalog yet)

  Editor

Career shape

A full career of 17 titles, 16 of them dated from 2008 to 2025.

Biggest box office

Barren Land (2025)

$1.8M worldwide

Highest rated

The Chalk Line (2022)

Midcredits 52^nd

Most popular right now

Breathless (2024)

How do Cristina Laguna's films land?

Their typical MovieCove film has a Midcredits score in the 37^th percentile, the median of all 8; across their 6 films with reception data, the typical film sits in the 43^rd percentile for acclaim.

Shape of the crowd

7 of their 11 titles are Mixed.

37

• Universally Loved1
• Broadly Agreed3
• Mixed7

Most divisive · editor

Snakes and Ladders (2025)

60^th percentile spread · 20% rated it 4 or lower

Most loved · editor

Ilusión (2013)

Midcredits 66^th · 73% liked

Reviewers score the pacing 40/100 in their films, across 3 reviewed titles; fans 55, detractors 22. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Cristina Laguna's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Cristina Laguna work with?

People who share at least 2 of Cristina Laguna's MovieCove titles, grouped by what they did on them; Juan Sebastián Ordóñez shares the most, 3.