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Rachel Israel

Director, writer and producer

Works as
Director, writer and producer
Titles
4 on MovieCove · 5 credits in all
TMDB popularity, last 37 days to Oct 26Up 18% in 30 days

What are Rachel Israel's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Themes

share of theme weight
Self
38%
Bonds
26%
Society
15%
Morality
12%
Survival
9%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Ironic 2 · Wry 0 · Earnest 2

Light 3 · Serious 1 · Dark 0

A split, not a type: Grounded 2 · Stylized 1 · Heightened 1

Gentle 2 · Charged 2 · Intense 0

Steady 2 · Shifting 2 · Whiplash 0

A split, not a type: Straight-faced 1 · Some laughs 1 · Funny 2

Slow burn 1 · Even-paced 3 · Relentless 0

Casual 2 · Engaged 2 · Full focus 0

A split, not a type: Easy watch 2 · Affecting 1 · Heavy 1

Resolved 2 · Open-ended 2 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Warm
3
Joyful
2
Tense
1
Hopeful
2
Absurd
1
Other
3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Rachel Israel's films?

As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Rachel Israel's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

5 credits, 4 with a MovieCove page.

  • The Floaters(2025)

    Director

    Midcredits score: 76th percentile of all films
  • Influenced(2026)

    Director

    Midcredits score: 7th percentile of all films
  • Keep the Change(2017)

    Director · Writer

    Midcredits score: 70th percentile of all films
  • Violet & Daisy(2011)

    Associate Producer

    Midcredits score: 43rd percentile of all films
  • Keep the Change (not in the MovieCove catalog yet)(2013)

    Director · Writer

Career shape

A full career of 5 titles from 2013 to 2026.

By role

only this rolewith another role
Directing4 of 5: 2 only directing, 2 with another roleWriting2 of 5: 0 only writing, 2 with another roleProducing1 of 5: 1 only producing, 0 with another role

By decade

2010s3 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Rachel Israel's films land?

Their typical MovieCove film has a Midcredits score in the 57th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 58th percentile for acclaim.

Acclaim · how much people like their films

58thpercentile
Typical film, the median of 4

Approval · how many liked their films

55thpercentile
Typical film, the median of 4

Reach · how many have seen their films

53rdpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 75th and up1
  • 50th to 74th1
  • 25th to 49th1
  • Below 25th1

Reviewers score the pacing 52/100 in their films, across 3 reviewed titles; fans 63, detractors 28. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Rachel Israel work with?

People who share at least 2 of Rachel Israel's MovieCove titles, grouped by what they did on them; Danny Vecchione shares the most, 2.

Cinematographers

Producers