Asen Chankov

What are Asen Chankov's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Survival and Society.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Asen Chankov's films?

As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service, most on Tubi (2).

• Tubi2 titles, browse their movies on this service
  • Havana Darkness (2018) · producer · free
  • Nightworld: Door of Hell (2017) · producer · free
• Prime Video1 title, browse their movies on this service
  • Havana Darkness (2018) · producer
• STARZ1 title, browse their movies on this service
  • Welcome to Acapulco (2019) · producer

Subscription and free streaming for Asen Chankov's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

3 credits, 3 with a MovieCove page.

• 

  Welcome to Acapulco(2019)

  Producer

  Midcredits score: 9th percentile of all films9^th
• 

  Havana Darkness(2018)

  Producer

  Midcredits score: 11th percentile of all films11^th
• 

  Nightworld: Door of Hell(2017)

  Producer

  Midcredits score: 9th percentile of all films9^th

Career shape

Across a limited sample of 3 MovieCove titles from 2017 to 2019.

Biggest box office

Welcome to Acapulco (2019)

$136K worldwide

Highest rated

Nightworld: Door of Hell (2017)

Midcredits 9^th

Most popular right now

Welcome to Acapulco (2019)

How do Asen Chankov's films land?

Their typical MovieCove film has a Midcredits score in the 9^th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 12^th percentile for acclaim.

Shape of the crowd

3 of their 3 titles are Mixed.

3

• Mixed3

Most divisive · producer

Havana Darkness (2018)

88^th percentile spread · 55% rated it 4 or lower

Most loved · producer

Havana Darkness (2018)

Midcredits 11^th · 26% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Asen Chankov work with?

People who share at least 2 of Asen Chankov's MovieCove titles, grouped by what they did on them; Loris Curci shares the most, 3.