- Director and producer
- 3 on MovieCove
What are Matthew Hoos' films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Society.
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Matthew Hoos' films?
As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service.
- discovery+
Subscription and free streaming for Matthew Hoos' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page.

Gut Job(2022)
Midcredits score: 95th percentile of all shows (provisional, few ratings)
Midcredits score: 41st percentile of all shows
Love It or List It(2008)
Midcredits score: 29th percentile of all shows
Career shape
Across a limited sample of 3 MovieCove titles from 2008 to 2022.
Who does Matthew Hoos work with?
People who share at least 2 of Matthew Hoos' MovieCove titles, grouped by what they did on them; Tina Morasco shares the most, 2.
Actors
- Tina MorascoShared titles: Love It or List It Vancouver (2013), Love It or List It (2008)See all 2 shared titles with Tina Morasco

Composers and editors
- Robb WatsonShared titles: Love It or List It Vancouver (2013), Love It or List It (2008)See all 2 shared titles with Robb Watson
- Tanner RichieShared titles: Love It or List It Vancouver (2013), Love It or List It (2008)See all 2 shared titles with Tanner Richie

Producers
- Maria ArmstrongShared titles: Love It or List It Vancouver (2013), Love It or List It (2008)See all 2 shared titles with Maria Armstrong
