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Motif

Matthew John

Producer, director and writer

Works as
Producer, director and writer
Titles
5 on Motif

What are Matthew John's films like?

Across their 5 Motif titles with a thematic analysis, their films lean Self and Bonds.

Themes

share of theme weight
Self
28%
Bonds
21%
Morality
16%
Survival
15%
Power
14%
Ideas
5%

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 5 · Stylized 0 · Heightened 0

Gentle 1 · Charged 4 · Intense 0

Steady 3 · Shifting 2 · Whiplash 0

Straight-faced 4 · Some laughs 1 · Funny 0

Slow burn 4 · Even-paced 1 · Relentless 0

Casual 1 · Engaged 4 · Full focus 0

Resolved 4 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
3
Tense
3
Bittersweet
2
Joyful
1
Contemplative
1
Other
5

How their films end · 1 with a twist

  • Happy1
  • Bittersweet1
  • Tragic2
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Matthew John's films?

As of October 24, 2026, 4 of their 5 Motif titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Matthew John's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

5 credits, 5 with a Motif page.

  • McQueen(2018)

    Producer

    Midcredits score: 97th percentile of all films
  • Midcredits score: 40th percentile of all films
  • Hedda Gabler(2016)

    Director · Writer

    Midcredits score: 17th percentile of all films
  • You're Not You(2014)

    Producer

    Midcredits score: 87th percentile of all films
  • Midcredits score: 8th percentile of all films

Career shape

Across their 5 Motif titles from 2013 to 2018.

By role

only this rolewith another role
Directing1 of 5: 0 only directing, 1 with another roleWriting1 of 5: 0 only writing, 1 with another roleProducing4 of 5: 4 only producing, 0 with another role

Counts over their Motif titles; a title counts in every role they held on it.

How do Matthew John's films land?

Their typical Motif film has a Midcredits score in the 40th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 34th percentile for acclaim.

Acclaim · how much people like their films

34thpercentile
Typical film, the median of 5

Approval · how many liked their films

46thpercentile
Typical film, the median of 5

Reach · how many have seen their films

63rdpercentile
Typical film, the median of 5

Midcredits score across 5 titles, by percentile

  • 75th and up2
  • 25th to 49th1
  • Below 25th2

Reviewers score the pacing 48/100 in their films, across 4 reviewed titles; fans 59, detractors 30. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Matthew John work with?

People who share at least 2 of Matthew John's Motif titles, grouped by what they did on them; David Gilbery shares the most, 2.

Producers