Skip to content
Motif

Dominik Spritzendorfer

Cinematographer

Works as
Cinematographer
Titles
4 on Motif · 11 credits in all
TMDB popularity, last 39 days to Oct 28Down 24% in 30 days

What are Dominik Spritzendorfer's films like?

Across a limited sample of 3 Motif titles with a thematic analysis, their films lean Society and Ideas.

Themes

share of theme weight
Society
33%
Ideas
33%
Power
12%
Morality
12%
Survival
10%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 3 · Stylized 0 · Heightened 0

Gentle 2 · Charged 1 · Intense 0

Steady 3 · Shifting 0 · Whiplash 0

Straight-faced 3 · Some laughs 0 · Funny 0

Slow burn 3 · Even-paced 0 · Relentless 0

Casual 1 · Engaged 2 · Full focus 0

Resolved 2 · Open-ended 1 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Contemplative
3
Hopeful
1
Cold
1
Tense
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Dominik Spritzendorfer's films?

As of October 24, 2026, 1 of their 4 Motif titles stream on a subscription or free service, on Tubi (1).

Subscription and free streaming for Dominik Spritzendorfer's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

11 credits, 4 with a Motif page.

  • Habsburg gegen Hohenzollern - Die Schlacht bei Königgrätz (not in the Motif catalog yet)(2026)

    Cinematographer

  • The Demoniacs (not in the Motif catalog yet)(2023)

    Cinematographer

  • Caviar (not in the Motif catalog yet)(2019)

    Cinematographer

  • The Green Lie(2018)

    Cinematographer

    Midcredits score: 68th percentile of all films
  • Unten (not in the Motif catalog yet)(2016)

    Editor

  • Last Shelter(2015)

    Camera Operator

  • Elektro Moskva (not in the Motif catalog yet)(2013)

    Director · Cinematographer · Producer · Writer

  • Everyday Rebellion(2013)

    Cinematographer

    Midcredits score: 86th percentile of all films
  • Population Boom(2013)

    Cinematographer

    Midcredits score: 72nd percentile of all films
  • The Trial (not in the Motif catalog yet)(2011)

    Cinematographer

  • Beyond the Woods (not in the Motif catalog yet)(2007)

    Cinematographer

Career shape

A full career of 9 titles from 2007 to 2026.

By role

only this rolewith another role
Directing1 of 9: 0 only directing, 1 with another roleWriting1 of 9: 0 only writing, 1 with another roleProducing1 of 9: 0 only producing, 1 with another roleCinematography7 of 9: 6 only cinematography, 1 with another roleEditing1 of 9: 1 only editing, 0 with another roleOther crew1 of 9: 1 only other crew, 0 with another role

By decade

2000s1 · crew2010s6 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Dominik Spritzendorfer's films land?

Their typical Motif film has a Midcredits score in the 72nd percentile, the median of the 3 of 4 with a score; across a limited sample of 3 films with reception data, the typical film sits in the 69th percentile for acclaim.

Acclaim · how much people like their films

69thpercentile
Typical film, the median of 3

Approval · how many liked their films

72ndpercentile
Typical film, the median of 3

Reach · how many have seen their films

32ndpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 75th and up1
  • 50th to 74th2

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Dominik Spritzendorfer work with?

People who share at least 2 of Dominik Spritzendorfer's Motif titles; Werner Boote shares the most, 2.