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What are Nina Krstic's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Morality.

Themes

share of theme weight
Self
22%
Morality
20%
Power
18%
Society
14%
Survival
10%
Ideas
10%
Bonds
6%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 1 · Serious 1 · Dark 2

Grounded 4 · Stylized 0 · Heightened 0

Gentle 1 · Charged 2 · Intense 1

Steady 2 · Shifting 2 · Whiplash 0

Straight-faced 4 · Some laughs 0 · Funny 0

Slow burn 2 · Even-paced 2 · Relentless 0

Casual 2 · Engaged 2 · Full focus 0

Resolved 3 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Hopeful
4
Tense
3
Contemplative
3
Warm
1
Triumphant
1

How their films end

  • Happy1
  • Bittersweet2
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Nina Krstic's films?

As of October 24, 2026, 5 of their 6 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Nina Krstic's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 6 with a MovieCove page.

  • Midcredits score: 97th percentile of all films
  • The Last Dance(2020)

    Show 10 episodes · Producer

    Midcredits score: 99th percentile of all shows
  • O.J.: Made in America (not in the MovieCove catalog yet)(2016)

    Show 5 episodes · Producer

  • O.J.: Made in America (not in the MovieCove catalog yet)(2016)

    Producer

  • Talent Has Hunger(2016)

    Producer

    Midcredits score: 81st percentile of all films (provisional, few ratings)
  • 1964 (not in the MovieCove catalog yet)(2014)

    Associate Producer

  • Midcredits score: 53rd percentile of all films
  • Midcredits score: 53rd percentile of all shows (provisional, few ratings)
  • Orchestra of Exiles(2012)

    Executive Producer

    Midcredits score: 74th percentile of all films
  • UFC 1: Origins of the Octagon (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 7 titles, 6 of them dated from 2012 to 2020.

By role

only this rolewith another role
Directing1 of 7: 1 only directing, 0 with another roleProducing6 of 7: 6 only producing, 0 with another role

By decade

2010s5 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Nina Krstic's films land?

Their typical MovieCove film has a Midcredits score in the 78th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 85th percentile for acclaim.

Acclaim · how much people like their films

85thpercentile
Typical film, the median of 4

Approval · how many liked their films

68thpercentile
Typical film, the median of 4

Reach · how many have seen their films

17thpercentile
Typical film, the median of 4

Midcredits score across 6 titles, by percentile

  • 75th and up3
  • 50th to 74th3

Reviewers score the atmosphere 64/100 and the pacing 48/100 in their films, across 3 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Nina Krstic work with?

People who share at least 2 of Nina Krstic's MovieCove titles; Josh Aronson shares the most, 2.