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Caito Ortiz

Caito Ortiz

Director, writer and producer · Rio de Janeiro, Rio de Janeiro, Brazil

Caíto Ortiz is a Brazilian filmmaker with a knack for telling stories that make you laugh, cry, and sometimes wish you could step into the screen and punch somebody. His work has been called dynamic, which is a fancy way of saying his camera doesn't sit still much, and has earned comparisons to Guy Ritchie-though Caito probably wishes people would stop saying that. Recently, he directed and executive produced Anderson "Spider" Silva, a miniseries about a kid who went from being just another hungry boy in Brazil to punching his way into history as a UFC champion. The series even got an International Emmy nod, which is nice if you're into statues. Back in 2016, Caíto made a little movie called Jules and Dolores that premiered at SXSW. It was about a heist that didn't go quite as planned (do they ever?) and somehow ended up winning a Vision Festival Jury Award. Netflix picked it up, which means millions of people had the chance to enjoy it while eating snacks and ignoring their laundry. Not one to rest, Caíto also took viewers back to 1950s Rio de Janeiro with Coisa Mais Linda (Girls from Ipanema), a Netflix series about a woman abandoned by her husband. Instead of crying into her caipirinha, she decides to open a bossa nova jazz club because, as it turns out, music fixes everything. The show also features an inspiring group of friends who remind us that sometimes, the best family is the one you make. Through it all, Caíto's stories are bursting with humanity, humor, and just enough chaos to keep you hooked. Whether it's a stolen trophy, a jazz club, or a UFC champion's legacy, he's the guy who knows how to make life's wild messes feel like art.

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Biography from IMDb.

From
Rio de Janeiro, Rio de Janeiro, Brazil
Works as
Director, writer and producer
Titles
6 on MovieCove · 10 credits in all
TMDB popularity, last 157 days to Oct 28Down 6% in 30 days

What are Caito Ortiz's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Themes

share of theme weight
Self
39%
Bonds
15%
Morality
14%
Survival
13%
Power
10%
Society
9%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 0 · Dark 1

A split, not a type: Grounded 2 · Stylized 0 · Heightened 1

Gentle 1 · Charged 1 · Intense 1

A split, not a type: Steady 2 · Shifting 0 · Whiplash 1

Straight-faced 2 · Some laughs 1 · Funny 0

Slow burn 2 · Even-paced 1 · Relentless 0

Casual 1 · Engaged 1 · Full focus 1

A split, not a type: Resolved 1 · Open-ended 0 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
3
Melancholic
4
Contemplative
3
Joyful
2
Hopeful
2
Other
4

How their films end

  • Happy1
  • Bittersweet2
  • Tragic1
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Caito Ortiz's films?

As of October 24, 2026, 5 of their 6 MovieCove titles stream on a subscription or free service, most on Prime Video (2).

Subscription and free streaming for Caito Ortiz's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 6 with a MovieCove page.

  • Amar é para os Fortes(2023)

    Show Producer

    Midcredits score: 22nd percentile of all shows
  • Anderson Spider Silva(2023)

    Show Director · Producer

    Midcredits score: 43rd percentile of all shows
  • Dad Rocks(2021)

    Director

    Midcredits score: 52nd percentile of all films
  • The Lighthouse(2019)

    Executive Producer

    Midcredits score: 92nd percentile of all films
  • Girls from Ipanema(2019)

    Show Director · Producer

    Midcredits score: 79th percentile of all shows
  • Jules and Dolores (not in the MovieCove catalog yet)(2016)

    Director · Writer

  • Freedom Station(2013)

    Director · Writer

    Midcredits score: 38th percentile of all films (provisional, few ratings)
  • (fdp) (not in the MovieCove catalog yet)(2012)

    Show 13 episodes · Director

  • O Dia em que o Brasil Esteve Aqui (not in the MovieCove catalog yet)(2006)

    Director

  • Motoboys: Vida Loca (not in the MovieCove catalog yet)(2003)

    Director

Career shape

A full career of 7 titles from 2003 to 2022.

By role

only this rolewith another role
Directing6 of 7: 4 only directing, 2 with another roleWriting2 of 7: 0 only writing, 2 with another roleProducing1 of 7: 1 only producing, 0 with another role

By decade

2000s2 · crew2010s4 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Caito Ortiz's films land?

Their typical MovieCove film has a Midcredits score in the 52nd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 59th percentile for acclaim.

Acclaim · how much people like their films

59thpercentile
Typical film, the median of 3

Approval · how many liked their films

44thpercentile
Typical film, the median of 3

Reach · how many have seen their films

47thpercentile
Typical film, the median of 3

Midcredits score across 6 titles, by percentile

  • 75th and up2
  • 50th to 74th1
  • 25th to 49th2
  • Below 25th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Caito Ortiz work with?

People who share at least 2 of Caito Ortiz's MovieCove titles, grouped by what they did on them; Beto Gauss shares the most, 5.

Writers

Actors

Composers, cinematographers and editors

Producers