Skip to content
MovieCove

Mike Phillips

Producer, director, editor and writer

Works as
Producer, director, editor and writer
Titles
6 on MovieCove

What are Mike Phillips' films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Survival and Self.

Themes

share of theme weight
Survival
50%
Self
16%
Society
14%
Bonds
10%
Ideas
6%
Power
5%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 0 · Dark 3

Grounded 3 · Stylized 0 · Heightened 0

A split, not a type: Gentle 1 · Charged 0 · Intense 2

Steady 1 · Shifting 2 · Whiplash 0

Straight-faced 3 · Some laughs 0 · Funny 0

Slow burn 1 · Even-paced 2 · Relentless 0

Casual 2 · Engaged 1 · Full focus 0

Resolved 2 · Open-ended 0 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Dread
3
Melancholic
2
Absurd
1
Contemplative
1
Other
3

How their films end · 2 with a twist

  • Bittersweet1
  • Ambiguous3
  • Cyclical2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Mike Phillips' films?

As of October 24, 2026, all 6 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Mike Phillips' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 6 with a MovieCove page.

  • Dauntless: The Battle of Midway(2019)

    Director · Editor · Producer · Writer

    Midcredits score: 2nd percentile of all films
  • 5th Passenger(2017)

    Producer

    Midcredits score: 3rd percentile of all films
  • Motive to Murder(2016)

    Show Producer

    Midcredits score: 14th percentile of all shows (provisional, few ratings)
  • Outrageous 911(2013)

    Show Director

    Midcredits score: 40th percentile of all shows (provisional, few ratings)
  • Fortress(2012)

    Director · Producer

    Midcredits score: 25th percentile of all films
  • Dogfights(2005)

    Show Producer

    Midcredits score: 93rd percentile of all shows

Career shape

Across their 6 MovieCove titles from 2005 to 2019.

By role

only this rolewith another role
Directing3 of 6: 1 only directing, 2 with another roleWriting1 of 6: 0 only writing, 1 with another roleProducing5 of 6: 3 only producing, 2 with another role · typical Midcredits score14thEditing1 of 6: 0 only editing, 1 with another role

By decade

2000s1 · crew2010s5 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Mike Phillips' films land?

Their typical MovieCove film has a Midcredits score in the 3rd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 7th percentile for acclaim.

Acclaim · how much people like their films

7thpercentile
Typical film, the median of 3

Approval · how many liked their films

3rdpercentile
Typical film, the median of 3

Reach · how many have seen their films

64thpercentile
Typical film, the median of 3

Midcredits score across 6 titles, by percentile

  • 75th and up1
  • 25th to 49th2
  • Below 25th3

Reviewers score the atmosphere 38/100 and the pacing 31/100 in their films, across 3 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Mike Phillips work with?

People who share at least 2 of Mike Phillips' MovieCove titles, grouped by what they did on them; Adam Klein shares the most, 2.

Writers

Actors

Cinematographers and editors

Producers