- Producer and composer
- 5 on MovieCove · 7 credits in all
What are Shahar Stroh's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
A split, not a type: Light 1 · Serious 1 · Dark 3
Grounded 4 · Stylized 0 · Heightened 1
Gentle 1 · Charged 2 · Intense 2
Steady 1 · Shifting 4 · Whiplash 0
Straight-faced 5 · Some laughs 0 · Funny 0
A split, not a type: Slow burn 3 · Even-paced 2 · Relentless 0
Casual 1 · Engaged 3 · Full focus 1
A split, not a type: Easy watch 2 · Affecting 1 · Heavy 2
Resolved 4 · Open-ended 0 · Ambiguous 1
Moods and endings
- Bittersweet2
- Tragic1
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Shahar Stroh's films?
As of October 24, 2026, 4 of their 5 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Shahar Stroh's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
7 credits, 5 with a MovieCove page.
Midcredits score: 38th percentile of all films (provisional, few ratings)
Ray Meets Helen(2017)
Midcredits score: 22nd percentile of all films
Vengeance: A Love Story(2017)
Midcredits score: 19th percentile of all films
Falcon Rising(2014)
Midcredits score: 34th percentile of all films
Diamond Dogs(2007)
Midcredits score: 6th percentile of all filmsSwan Song (not in the MovieCove catalog yet)
The Prominents (not in the MovieCove catalog yet)
Career shape
A full career of 5 titles, 3 of them dated from 2014 to 2018.
How do Shahar Stroh's films land?
Their typical MovieCove film has a Midcredits score in the 22nd percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 29th percentile for acclaim.
- 25th to 49th2
- Below 25th3
Shape of the crowd
4 of their 5 titles are Mixed.
- Divisive1
- Mixed4
Reviewers score the sound and music 40/100 in their films, across 3 reviewed titles; fans 53, detractors 32. The element that speaks to their work as a composer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Shahar Stroh work with?
People who share at least 2 of Shahar Stroh's MovieCove titles; Ernst Etchie Stroh shares the most, 4.
- Ernst Etchie StrohShared titles: Ray Meets Helen (2017), Vengeance: A Love Story (2017), Falcon Rising (2014), Diamond Dogs (2007)See all 4 shared titles with Ernst Etchie Stroh