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Chris Fiore

Editor and director

Works as
Editor and director
Titles
4 on MovieCove · 5 credits in all
TMDB popularity, last 39 days to Oct 28Down 30% in 30 days

What are Chris Fiore's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Society and Self.

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Grounded 2 · Stylized 0 · Heightened 1

Gentle 0 · Charged 3 · Intense 0

Steady 0 · Shifting 2 · Whiplash 1

Straight-faced 1 · Some laughs 1 · Funny 1

Slow burn 1 · Even-paced 2 · Relentless 0

Casual 1 · Engaged 1 · Full focus 1

Resolved 1 · Open-ended 0 · Ambiguous 2

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
3
Contemplative
2
Melancholic
2
Absurd
1
Thrilling
1
Other
2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Chris Fiore's films?

As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Chris Fiore's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

5 credits, 4 with a MovieCove page.

  • Midcredits score: 4th percentile of all films
  • Divided States(2018)

    Show Editor

    Midcredits score: 28th percentile of all shows (provisional, few ratings)
  • Death of a Dynasty(2003)

    Editor

    Midcredits score: 12th percentile of all films
  • Backstage(2000)

    Director · Editor

    Midcredits score: 40th percentile of all films
  • John Henrik Clarke: A Great and Mighty Walk (not in the MovieCove catalog yet)(1996)

    Editor

Career shape

A full career of 3 titles from 1996 to 2003.

By role

only this rolewith another role
Directing1 of 3: 0 only directing, 1 with another roleEditing3 of 3: 2 only editing, 1 with another role

By decade

1990s1 · crew2000s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Chris Fiore's films land?

Their typical MovieCove film has a Midcredits score in the 12th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 10th percentile for acclaim.

Acclaim · how much people like their films

10thpercentile
Typical film, the median of 3

Approval · how many liked their films

17thpercentile
Typical film, the median of 3

Reach · how many have seen their films

39thpercentile
Typical film, the median of 3

Midcredits score across 4 titles, by percentile

  • 25th to 49th2
  • Below 25th2

Reviewers score the pacing 33/100 in their films, across 3 reviewed titles; fans 65, detractors 22. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Chris Fiore work with?

People who share at least 2 of Chris Fiore's MovieCove titles, grouped by what they did on them; Aimee Schoof shares the most, 2.

Producers