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Amy Scott

Amy Scott

Director, editor and producer

Sundance award nominee

Amy is a director-editor in Los Angeles specializing in unscripted, authentic storytelling. She directed Hal (Sundance 2018) nominated for a Producer's Guild Award, a Critics Choice Award, and Rolling Stone's Top 10 Documentaries of 2018, Hal features wildly candid interviews with Jane Fonda, Jeff Bridges, Cat Stevens, and Judd Apatow. Formerly a Creative Director for MasterClass, she directed classes from RuPaul to Danny Elfman and more. She directed the documentary feature Sheryl produced by Shark Pig and Gunpowder and Sky about the life and work of iconic musician Sheryl Crow that was nominated for a Hollywood Critics Association Award (SXSW 2022, Showtime 2022). Amy is working on a number of projects in both the scripted and unscripted space.

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Biography from IMDb.

Works as
Director, editor and producer
Titles
9 on Motif · 11 credits in all
TMDB popularity, last 157 days to Oct 28Down 11% in 30 days

What are Amy Scott's films like?

Across their 9 Motif titles with a thematic analysis, their films lean Self and Society.

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 5 · Serious 3 · Dark 0

Grounded 7 · Stylized 1 · Heightened 0

Gentle 5 · Charged 3 · Intense 0

Steady 7 · Shifting 1 · Whiplash 0

A split, not a type: Straight-faced 5 · Some laughs 2 · Funny 1

Slow burn 7 · Even-paced 1 · Relentless 0

Casual 5 · Engaged 3 · Full focus 0

Resolved 6 · Open-ended 1 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Contemplative
5
Hopeful
7
Melancholic
5
Warm
3
Absurd
1
Other
4

How their films end

  • Happy3
  • Bittersweet5
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Amy Scott's films?

As of October 24, 2026, all 9 Motif titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Amy Scott's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

11 credits, 9 with a Motif page.

  • Midcredits score: 80th percentile of all films
  • Saving Etting Street (not in the Motif catalog yet)(2025)

    Director

  • Midcredits score: 92nd percentile of all films
  • Melissa Etheridge: I'm Not Broken(2024)

    Show 2 episodes · Director

    Midcredits score: 75th percentile of all shows (provisional, few ratings)
  • Sheryl(2022)

    Director

    Midcredits score: 74th percentile of all films
  • Other Music(2019)

    Co-Producer · Editor

    Midcredits score: 89th percentile of all films
  • Hal(2018)

    Director · Editor

    Midcredits score: 83rd percentile of all films
  • The Keepers(2015)

    Editor

  • Me(2014)

    Digital Imaging Technician · Editor

    Midcredits score: 7th percentile of all films
  • Felix Austria!(2013)

    Editor

    Midcredits score: 35th percentile of all films (provisional, few ratings)
  • A Lovers' Discourse (not in the Motif catalog yet)(2008)

    Editor

Career shape

A full career of 9 titles from 2008 to 2026.

By role

only this rolewith another role
Directing6 of 9: 5 only directing, 1 with another role · typical Midcredits score80thProducing1 of 9: 0 only producing, 1 with another roleEditing4 of 9: 1 only editing, 3 with another roleOther crew1 of 9: 0 only other crew, 1 with another role

9 titles, 3 with more than one role — directing and editing overlap on 1 of them.

By decade

2000s1 · crew2010s3 · crew2020s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored.

Awards

Nominated for a Sundance award in 2018, Documentary.

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Amy Scott's films land?

Their typical Motif film has a Midcredits score in the 80th percentile, the median of the 7 of 8 with a score; across their 8 films with reception data, the typical film sits in the 85th percentile for acclaim.

Acclaim · how much people like their films

85thpercentile
Typical film, the median of 8

Approval · how many liked their films

76thpercentile
Typical film, the median of 8

Reach · how many have seen their films

56thpercentile
Typical film, the median of 8

Midcredits score across 8 titles, by percentile

  • 75th and up5
  • 50th to 74th1
  • 25th to 49th1
  • Below 25th1

Reviewers score the atmosphere 62/100 and the pacing 61/100 in their films, across 4 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Amy Scott work with?

People who share at least 2 of Amy Scott's Motif titles, grouped by what they did on them; Heather McIntosh shares the most, 6.

Composers, cinematographers and editors

Producers