Tetsuo Kanno

What are Tetsuo Kanno's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Tetsuo Kanno's films?

As of October 28, 2026, none of Tetsuo Kanno's 4 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Tetsuo Kanno's titles on MovieCove; rent and buy are not counted.

Filmography

4 credits, 4 with a MovieCove page.

• 

  Doraemon: Nobita's Great Adventure into the Underworld(1984)

  Producer

  Midcredits score: 84th percentile of all films84^th
• 

  Doraemon: Nobita and the Castle of the Undersea Devil(1983)

  Producer

  Midcredits score: 80th percentile of all films80^th
• 

  Doraemon: Nobita and the Haunts of Evil(1982)

  Producer

  Midcredits score: 79th percentile of all films79^th
• 

  Doraemon: The Records of Nobita, Spaceblazer(1981)

  Producer

  Midcredits score: 74th percentile of all films74^th

Career shape

Across a limited sample of 4 MovieCove titles from 1981 to 1984.

Biggest box office

Doraemon: The Records of Nobita, Spaceblazer (1981)

$14M worldwide

Highest rated

Doraemon: Nobita's Great Adventure into the Underworld (1984)

Midcredits 84^th

Most popular right now

Doraemon: Nobita and the Castle of the Undersea Devil (1983)

How do Tetsuo Kanno's films land?

Their typical MovieCove film has a Midcredits score in the 80^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 75^th percentile for acclaim.

Shape of the crowd

None of their 4 titles divides audiences: 4 are Crowd Pleasers.

4

• Crowd Pleaser4

Most loved · producer

Doraemon: Nobita's Great Adventure into the Underworld (1984)

Midcredits 84^th · 76% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Tetsuo Kanno work with?

People who share at least 2 of Tetsuo Kanno's MovieCove titles, grouped by what they did on them; Fujio F. Fujiko shares the most, 4.